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Editorial Reviews
Amazon.com
In New Orleans in 1833, appearance is everything for people of color. "His own coat and waistcoat ... were one badge of his freedom," Barbara Hambly writes about Ben January, a surgeon and teacher of music. "Even more than the papers the law demanded he carry--and as much as the well-bred French his tutors and his mother had hammered into him as a child--they said, This is a free man of color, not somebody's property to be bought and sold." When the veteran science fiction writer Hambly first introduced January, in the stunning and heartbreaking A Free Man of Color, the only problem seemed to be that the book told us so much about a vanished world that it couldn't possibly support a sequel. Fortunately, Hambly has found a way to make it work by putting January into a real crime, the case of a woman named Delphine Lalaurie whose savagery toward her slaves managed to shock even her contemporaries. "She was a tall woman, imperially straight; and though nearly every Creole woman of her age had surrendered to rich food and embonpoint, she retained the slim figure of a girl," Hambly writes of the majestic Delphine on her first meeting with January. She has come to the reeking, corpse-clogged hospital where January is working during a cholera epidemic to warn him about helping a runaway slave girl accused of murder. Ignoring that warning puts January into a situation so full of danger to himself and others that in lesser hands it could easily have become overwrought. Hambly, however, knows better than anyone that readers connect to characters rooted in honesty, regardless of how alien their environment may seem to us. --Dick Adler --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Learned black surgeon Benjamin January returns from his debut as protagonist in A Free Man of Color (1997) to utilize his considerable skills in a graphic and compelling story based on events that transpired in 1834. The Paris-trained physician, still grieving for his recently deceased wife, is back in New Orleans after a 16-year absence and his now treating the victims of a raging cholera epidemic. But his position at Charity Hospital is precariousAaccepted in his own mixed-race society, he is scorned by most whites. Now, even in the chaotic mayhem of an epidemic, January becomes aware of a disturbing fact: free people of color are disappearing. Are they dying? Are they being abducted to be resold as slaves? Although chronically fatigued from his multiple occupations (he gives piano lessons to eke out his income) and the demands of his eccentric family, he nonetheless manages to begin a discreet investigation that will involve some unique and idiosyncratic individuals including street people, con men and aristocrats. He even forms an unlikely alliance with a coarse, yet astute, white police lieutenant. January's queries are further complicated by the disappearance of his friend Cora, who may be implicated in theft and murder. Complex in plotting, rich in atmosphere and written in powerful, lucid prose, this compelling mystery holds its secrets until a horrifying, compelling finale.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
In New Orleans in 1833, appearance is everything for people of color. "His own coat and waistcoat ... were one badge of his freedom," Barbara Hambly writes about Ben January, a surgeon and teacher of music. "Even more than the papers the law demanded he carry--and as much as the well-bred French his tutors and his mother had hammered into him as a child--they said, This is a free man of color, not somebody's property to be bought and sold." When the veteran science fiction writer Hambly first introduced January, in the stunning and heartbreaking A Free Man of Color, the only problem seemed to be that the book told us so much about a vanished world that it couldn't possibly support a sequel. Fortunately, Hambly has found a way to make it work by putting January into a real crime, the case of a woman named Delphine Lalaurie whose savagery toward her slaves managed to shock even her contemporaries. "She was a tall woman, imperially straight; and though nearly every Creole woman of her age had surrendered to rich food and embonpoint, she retained the slim figure of a girl," Hambly writes of the majestic Delphine on her first meeting with January. She has come to the reeking, corpse-clogged hospital where January is working during a cholera epidemic to warn him about helping a runaway slave girl accused of murder. Ignoring that warning puts January into a situation so full of danger to himself and others that in lesser hands it could easily have become overwrought. Hambly, however, knows better than anyone that readers connect to characters rooted in honesty, regardless of how alien their environment may seem to us. --Dick Adler --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Learned black surgeon Benjamin January returns from his debut as protagonist in A Free Man of Color (1997) to utilize his considerable skills in a graphic and compelling story based on events that transpired in 1834. The Paris-trained physician, still grieving for his recently deceased wife, is back in New Orleans after a 16-year absence and his now treating the victims of a raging cholera epidemic. But his position at Charity Hospital is precariousAaccepted in his own mixed-race society, he is scorned by most whites. Now, even in the chaotic mayhem of an epidemic, January becomes aware of a disturbing fact: free people of color are disappearing. Are they dying? Are they being abducted to be resold as slaves? Although chronically fatigued from his multiple occupations (he gives piano lessons to eke out his income) and the demands of his eccentric family, he nonetheless manages to begin a discreet investigation that will involve some unique and idiosyncratic individuals including street people, con men and aristocrats. He even forms an unlikely alliance with a coarse, yet astute, white police lieutenant. January's queries are further complicated by the disappearance of his friend Cora, who may be implicated in theft and murder. Complex in plotting, rich in atmosphere and written in powerful, lucid prose, this compelling mystery holds its secrets until a horrifying, compelling finale.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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