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More from Tami Hoag
Since her first thriller was published in 1988, Tami Hoag has lived up to her reputation as a master of suspense. See more titles by Hoag. |
A monster known as the Cremator is killing prostitutes in Minneapolis parks and setting their bodies on fire. When one of his victims turns out to be the daughter of a local billionaire, and a homeless teenager claims to have witnessed the burning, it brings together former FBI agent Kate Conlan (now working as a victim-witness advocate) and the Bureau's top serial-killer profiler, John Quinn. Conlan and Quinn share a painful personal history; now they have to work together against a very smart lunatic who seems to be able to read their minds.
Although none of this is actually groundbreaking material, Hoag leaps into her story as if she were the very first writer to have thought of it. Guess what? Her innocence and verve are contagious. We throw skepticism to the winds and gladly go along for the thrilling and romantic ride, just as we did in other Hoag hits such as Cry Wolf, Dark Paradise, Guilty As Sin, Lucky's Lady, Magic, Night Sins, Still Waters, and A Thin Dark Line--all available in paperback. --Dick Adler
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Hoag (A Thin Dark Line) has a way of sneaking up on the reader in superior thriller tradition, taking her time in revealing monstrous images lurking in the dark corners. The Cremator, a Minneapolis serial killer, has been torturing prostitutes before incinerating them in local parks, but no one pays much attention until it appears that the third victim may be Jillian Bondurant, a billionaire's daughter. Former FBI agent Kate Conlan, now a victim/witness advocate, is enlisted to handle a reluctant teenage witness who claims to have seen the latest torching. Kate's life becomes further complicated when ace FBI profiler John Quinn is called in by Jillian's father. Kate and John share a personal history, he being one of the reasons she left the Bureau five years ago, and they must each contend with their painful past as they work together to catch the diabolical killer who appears to be taunting them at every turn. Hoag uses crisp dialogue effectively to distinguish the many diverse characters, while Kate and John's mirror-image Machiavellian work ethics justify both their mutual attraction and aversion. Devoting equal attention to the mystery of the serial killer's identity and the romantic tension between her engaging protagonists, Hoag does service to both, scripting love scenes worthy of George Clooney and Renee Russo, the Hollywood stars she mentions as look-alikes for her principals. Granting a humanizing dignity to the victims' corpses, she neatly sidesteps the graphic crudeness of some of her competitors, while still providing enough surprise twists and stomach-turning carnage to satisfy any heebie-jeebie enthusiast. Major ad/promo.
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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