Pashazade (Paperback)

~ (Author) "The sound of fountains came in stereo..." (more)
Key Phrases: real bey, rag dog, western harbour, Lady Jalila, Lady Nafisa, Wild Boy (more...)

Editorial Reviews

From Publishers Weekly

In this clever first book of a trilogy that blends alternative SF and hard-boiled mystery from British author Grimwood (Lucifer's Dragon, etc.), ZeeZee, who has spent his youth largely in boarding schools and in trouble, is also Ashraf al-Mansur, though that identity is unknown to him. Whisked away from a Seattle prison, ZeeZee is transported to El Iskandryia, an exotic, exquisitely detailed North African city. Whether Ashraf or ZeeZee, he's adaptable but not compliant. The world of wealth and privilege he's expected to accept without question comes with strings he's not to question either, like marriage to the willful Zara. Misunderstanding and mishandling his precarious situation, Ashraf becomes prime suspect in a murder, on the lam with only a vague understanding of where he is and who he is supposed to be. He's not only responsible for his own fate but also, surprisingly, the sole protector of a young girl. Grimwood artfully unveils the changed world that has developed in the many decades since WWI ended differently. Ashraf, a lifelong underdog and pawn, emerges as a resourceful and deadly foe, adapting quickly to survive in a game where the rules and the playing field shift repeatedly. SF and mystery fans will be pleased.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

The murder of an imperious North African noblewoman upsets the marriage plans of her nephew, who becomes the prime suspect. After Chief of Detectives Felix Abrinsky is called to an affluent home in Isk (El Iskandriya), Egypt, to examine the body of a recently murdered society matron, the story flashes back to the events that led up to the murder. Young Ashraf Bey ("Raf") is united for the first time with his wealthy aunt, Lady Nafisa, who helped get him out of Huntsville, an American prison, where he went under the name of ZeeZee. (Alter ego or alternate reality? You decide.) Though Raf maintains that he worked as an attache, italicized chapters from ZeeZee's perspective paint a darker existence in Seattle. Indeed, many of the characters have damaging secrets, including Abrinsky, who was fired from the LAPD. Raf is on his way to an arranged marriage to the beautiful and outspoken Zara when Nafisa deems Zara unsuitable for her jailbird nephew. Shortly thereafter, Nafisa is stabbed to death with her own pen. The suspicion cast on Raf is particularly dangerous for him because the higher his profile, the more vulnerable he is to his felonious former associates. Resourceful Raf determines to solve the crime himself. In this first American installment of a trilogy published in England beginning in 2001, Grimwood (reMix, 1999, etc.) wraps gritty realism in layers of suspicion and suggestion (is Isk itself fantasy?), creating an antihero as unpredictable as Tom Ripley. (Kirkus Reviews) --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 384 pages
• Publisher: Spectra (March 1, 2005)
• Language: English
• ISBN-10: 0553587439
• ISBN-13: 978-0553587432
• Product Dimensions: 8.2 x 5.2 x 0.9 inches
• Shipping Weight: 8.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.5 out of 5 stars  See all reviews (13 customer reviews)
• Amazon.com Sales Rank: #706,416 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

21 of 26 people found the following review helpful:

2.0 out of 5 stars Where's the Originality?, September 15, 2005

By	A. Ross (Washington, DC) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

First of all, if anyone thinks setting a cyberpunk/noir in the Arab/Islamic world is a brand new idea, I would refer them to the late George Alex Effinger's '80s Marid Audran series (When Gravity Fails, A Fire in the Sun, and The Exile Kiss) and short story collection (Budayeen Nights). That series featured a down and out 22nd-century Arab gumshoe in grimy Cairo who is unexpectedly elevated into a powerful position and makes heavy use of brain implants in order to track down a few murderers, exact vengeance, and try and figure out just who his parents actually were. Hmmm... sounds an awful lot like this book, doesn't it?

Grimwood's story is a fairly off-the-rack "reluctant hero" tale about Ashraf, a small time hoodlum unexpectedly sprung from jail in the U.S. and brought to Alexandria/Iskandriya by an aunt he didn't know he had. Apparently he's the son of the Bey of Tunis, and therefore a very important young man with carte blanche and legal immunity to almost anything. However, it's clear that he's also got all kinds of genetic modifications, the source of which is left deliberately murky. He's also got some kind of invisible advisor fox (in D&D days, we would have called it a familiar), and a whole host of issues. Soon after his arrival in "Isk", his aunt is killed and the police seem to think he did it. So naturally, he must carry out his own investigation in order to clear his name -- with the help of a ponytailed ex-American Chief of Police. At the same time, Ashraf's past -- from lonely boarding school upbringing, to working for Seattle Chinese gangster Mu San -- is measured out in italicized flashbacks.

Actually, the entire first third of the book is rather confusingly arranged, with chapters in reverse chronological sequence and shifting points of view. It's an unnecessary and messy structure which only makes the story that much harder to get into. Eventually, things settle down and Grimwood sticks with telling the story from Ashraf's perspective -- albeit, still continually interrupted by flashbacks. It's as if the author was afraid neither Ashraf's present or past were interesting enough on their own to hold the reader's attention for extended periods of time, so he mixed them together to keep the reader from getting bored! Pacing is definitely a problem in the book, it's generally exceedingly slow, but also kind of choppy due to short chapters and the flashbacks mentioned above.

The story trudges onward, with Ashraf racing to solve the murder before the authorities come down on him. Fortunately, his 9-year-old cousin adores him and sticks to him like glue. And as in so many cliche films, the kid will prove to have world-class computer hacking skills that will become pivotal in solving the mystery. His other ally is the woman he is supposed to get married to, the rebellious daughter of a mega-billionaire industrialist. Also as in so many cliche films, they get off on the wrong foot, bicker, and then predictably fall into bed together -- and of course, she's got a comic-book body. In the end, the villain is perfectly predictable, although the motive comes out of nowhere and seems quite ridiculous. The ending comes rather suddenly, and many readers will leave feeling rather frustrated -- there's a lot left to be answered in the second and third books.

Having grown up in the Middle East, and being a moderate sci-fi fan and a big mystery fan, I was looking forward to this book. I was especially curious to see how the alternate history elements were going to be portrayed and used. And while on the one hand, it's nice that he didn't make the alternate history too intrusive, there didn't really seem to be a whole lot of point to it either. Perhaps the geopolitical differences will have a greater impact on the second and third books in the series, but in this one they don't enter into it that much. Also, many reviewers seem to be misunderstanding the alternate history. In this series, the Ottoman Empire is intact, but it is essentially just a regional power, not a world power. That's why a German is in charge and the Khedive is just a figurehead locked in a gilded palace. Also, if you're going to set up an alternate history setting, why are all the designer brand names the same as in our own world. Since in this setting Germany dominates Europe, wouldn't there be a lot more German designer brand names instead of Japanese and Italian?

In addition to the above weaknesses, the "cyberpunk" elements lack any originality. I'm not a big fan of the genre, but everything seemed familiar: hacking, genetic modifications, pet robots, implants, drugs, viral music, even a ridiculous underground club. And in a nutshell, that's kind of the problem with the whole book -- it all feels recycled. The setting's been done before, the main character is a classic archetype, the relationships are all cliche, the plot is classic "must clear my name" material, I'm just not seeing any original ideas. That said, there are bits and peices of nice writing here (generally the flashbacks), and there are intriguing hints here and there, enough so that I probably will read the next in the series to see if it gets any better.

3 of 3 people found the following review helpful:

2.0 out of 5 stars Doesn't Live Up to its Potential, December 5, 2007

By	DCArchitect (Washington, DC) - See all my reviews

This review is from: Pashazade: The First Arabesk (Hardcover)

As a big fan of 'alternate reality' fiction and sci-fi, I figured that 'Pashazade' would be a perfect fit for me.

Unfortunately, I'm alsa a fan of 'good' fiction.

The 'alternate reality' concept that Mr. Grimwood invented for this book was wonderful. President Wilson doesn't bring the United States into World War I, leaving the Kaiser in power in Germany, the Austrio-Hungarian Empire intact, and - most importantly - the Ottoman Empire in control of wide swathes of the Middle East and North Africa. Unfortunately the possibilities that this setting were never fully developed.

The story is a rather standard murder/noir that just happened to be set in Iskandriya (cosmopolitan Alexandria on the Mediterranean Coast of Egypt) but could just have easily been set anywhere else. The characters wore their culture like a suit of clothes and the city itself never seemed to be given the attention that it deserved.

Many of the characters were rather flat and/or strangely malleable as the plot demanded. Mr. Grimwood designed his reluctant protagonist, Raf, as a character unsure of his own identity. To me it seemed that Mr. Grimwood was just as clueless.

The structure was hard to follow at times and the more 'sci-fi' elements of the book seem a bit like fancy accessories added to spice up a rather bland plot.

I wish I could have written a better review. I wanted this book to be good. It wasn't really bad, at least not to the point where I didn't want to finish it, it just suffered from over-promising and under-delivering. Pashazade's exceptionally interesting concept was let down by a unsatisfactory execution.

3 of 3 people found the following review helpful:

3.0 out of 5 stars OK read, but it tries to do too much, September 1, 2005

By	lb136 "lb136" (New York, NY USA) - See all my reviews

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Jon Courtenay Grimwood does do one thing very well: he does make you care for his characters.

But other than that, Pashazade's overly ambitious, impossibly complicated--it wants to be too many things: alt-history, cyberpunk, a whodunit, a hardboiled noir escapade, and a coming of age story.

Nobody could accomplish all that in 360 pages, and while Mr. Grimwood comes closer than you'd ever expect, he doesn't entirely succeed.

The alt-hist (the Ottoman Empire survived into the 21st century) is just laid out, and not developed at all (the book could have been set in Alexandria 20 years from now and it wouldn't have made much difference); the cyberpunk is faux Gibson, right down to the product placements (and it's amazing how many of the products are the same in this world, despite the radical changes a brokered WWI, leaving the Kaiser and the Austro-Hungarian intact, would have been); there aren't enough good clues for a good whodunit, so in the end the mystery is solved because the author says it is, not on account of any internal logic; the noir is acceptable, but no more (i.e., about what you'd expect); and the coming of age might have been handled better if the book weren't so danged flashbacky (one of the flashbacks, which ought to have been the book's prologue) actually interrupts the grand finale.

Still in all, the book never bores; it just frustrates.