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Editorial Reviews
From Publishers Weekly
Starred Review. In her last outing, The Game (2004), Mary Russell and her husband, Sherlock Holmes, traveled to India on a case of geopolitical significance, but in the richly imagined eighth novel in this acclaimed series, set in San Francisco in 1924, Russell undertakes a far more personal investigation. Since she began her journey back to her hometown—ostensibly to deal with her father's estate—Russell has been tormented by strange dreams, one of which involves the "locked rooms" of the title, and the sight of her San Francisco childhood home opens a flood of memories and emotions, most of which she's loathe to allow into her über-rational mind. When someone takes a shot at her, Holmes enlists the help of Pinkerton agent Dashiell Hammett and Russell tries to unlock her past, in particular the "accident" that killed her family and left her an orphan in 1914. King's re-creation of San Francisco, especially the backstory during the devastating 1906 earthquake, is superb, and it's a pleasure to see the unusually competent Russell struggling with her own psyche. The plot may be a bit thin, but the narrative has real momentum, the characters are engaging and the prose, as always, is intelligent, evocative and graceful. Agent, Linda Allen. (June 21)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–Sherlock Holmes and Mary Russell are at it again. Having just traveled to India in The Game (Bantam, 2004), they are stopping in San Francisco, Mary's hometown, before returning to England. It is 1930, 24 years after the great earthquake and 10 years since the death of Mary's brother and parents, and her removal to Anglia. Ostensibly, she is going to wrap up some business interests and sell her parents' house, but she soon becomes aware of strange goings-on there and what seem to be attempts on her life. This is a more character-driven title than many of the previous Russell/Holmes outings, and Mary's emotions and fears are in the forefront. The story is told in alternating sections, by Mary in the first person and from Holmes's point of
Starred Review. In her last outing, The Game (2004), Mary Russell and her husband, Sherlock Holmes, traveled to India on a case of geopolitical significance, but in the richly imagined eighth novel in this acclaimed series, set in San Francisco in 1924, Russell undertakes a far more personal investigation. Since she began her journey back to her hometown—ostensibly to deal with her father's estate—Russell has been tormented by strange dreams, one of which involves the "locked rooms" of the title, and the sight of her San Francisco childhood home opens a flood of memories and emotions, most of which she's loathe to allow into her über-rational mind. When someone takes a shot at her, Holmes enlists the help of Pinkerton agent Dashiell Hammett and Russell tries to unlock her past, in particular the "accident" that killed her family and left her an orphan in 1914. King's re-creation of San Francisco, especially the backstory during the devastating 1906 earthquake, is superb, and it's a pleasure to see the unusually competent Russell struggling with her own psyche. The plot may be a bit thin, but the narrative has real momentum, the characters are engaging and the prose, as always, is intelligent, evocative and graceful. Agent, Linda Allen. (June 21)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–Sherlock Holmes and Mary Russell are at it again. Having just traveled to India in The Game (Bantam, 2004), they are stopping in San Francisco, Mary's hometown, before returning to England. It is 1930, 24 years after the great earthquake and 10 years since the death of Mary's brother and parents, and her removal to Anglia. Ostensibly, she is going to wrap up some business interests and sell her parents' house, but she soon becomes aware of strange goings-on there and what seem to be attempts on her life. This is a more character-driven title than many of the previous Russell/Holmes outings, and Mary's emotions and fears are in the forefront. The story is told in alternating sections, by Mary in the first person and from Holmes's point of