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5.0 out of 5 stars
A Fascinating Movie Book on a Fascinating Subject!, October 21, 2009
I suppose the best way to provide even an inadequate indication of this book's fascinating contents is to let potential readers see at a glance just one of my well over 700 reviews. Of course they are not all as long or as detailed as this one (which also has two photos attached):
The WOMAN ACCUSED
Nancy Carroll [pictured right] (Glenda O'Brien), Cary Grant [left] (Jeff Baxter), John Halliday (Bessemer), Louis Calhern (Leo), Jack LaRue (Maxie), Norma Mitchell (Martha), Irving Pichel (D.A.), Harry Holman (judge), Frank Sheridan (inspector), Lona Andre [center] (Cora), John Lodge (Dr Simpson), Gertrude Messinger (Evelyn), Rupert Hughes, Vicki Baum, Vina Delmar, Irvin S. Cobb, J.P. McEvoy, Ursula Parrott, Polan Banks, Sophie Kerr (themselves), Jay Belasco (Tony Graham).
Director: PAUL SLOANE. Screenplay: Bayard Veiller. Based on a ten-part serial by Rupert Hughes, Vicki Baum, Vina Delmar, Irvin S. Cobb, J.P. McEvoy, Ursula Parrott, Polan Banks, Sophie Kerr, Zane Grey and Gertrude Atherton, published in Liberty Magazine. Photography: Karl Struss. Music: Oscar Levant, Rudolph G. Kopp, Edward Heyman. Costumes designed by Edith Head. [VintageFilmBuff DVD rates 10 out of ten].
Copyright 16 February 1933 by Paramount Pictures. New York opening at the Paramount: 12 March 1933. U.S. release: 17 February 1933. 73 minutes.
COMMENT: A scrappy she-didn't-mean-to-do-it in which the principals are forced to do their best to act out a somewhat foregone drama -- admittedly with a few clever twists here and there. By and large, Carroll, Grant and Halliday manage rather well, and it's certainly not their fault that they tend to out-stay their welcome, allowing the histrionic thunder to be stolen by the support team headed by Jack LaRue (a small part, but you'll never forget him in this one), Louis Calhern (a really nasty piece of work), Norma Mitchell (a stage actress who made only three films, of which this is the first), the effervescent Lona André ("round and round") and Irving Pichel, the smooth-talking D.A. who knows which side of a legal argument will win him the most votes. Production credits are great, with a special nod for Sloane's silky direction and Struss' marvelously fluid, super-attractive camerawork.
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