Review
"Wes Anderson has only two previous features,
Bottle Rocket (1996) and
Rushmore (1999), but it's already clear that this 32-year-old writer-director possesses one of the freshest voices in American movies. His is a talent that Jean Renoir might have admired."—Dave Kehr,
The New York Times"
The Royal Tenenbaums speaks in its own singular voice: at once tender and probing, mindful of New York and its special mixture of grit and glory, but confident enough to mold it into a big, faded magic playhouse, a limitless extension of the Tenenbaum family's private universe. I've never seen moments like these in any other movie."—Kent Jones,
Film Comment"Memorable . . . Charming . . . A strong imagination is at work in every part of the picture."—Stuart Klawans,
The Nation --
Review
Review
"Wes Anderson has only two previous features, Bottle Rocket (1996) and Rushmore (1999), but it's already clear that this 32-year-old writer-director possesses one of the freshest voices in American movies. His is a talent that Jean Renoir might have admired."—Dave Kehr, The New York Times
"The Royal Tenenbaums speaks in its own singular voice: at once tender and probing, mindful of New York and its special mixture of grit and glory, but confident enough to mold it into a big, faded magic playhouse, a limitless extension of the Tenenbaum family's private universe. I've never seen moments like these in any other movie."—Kent Jones, Film Comment
"Memorable . . . Charming . . . A strong imagination is at work in every part of the picture."—Stuart Klawans, The Nation
See all Editorial Reviews