From Publishers Weekly
Readers familiar with the original 1906 classic by Sybille von Olfers, which featured delicate art nouveau style illustrations, may find this new version overblown. Wood's retelling of the story finds Young Robin Redbreast awakening Mother Earth's brood in early spring and follows the Root Children through their annual "masquerade" a frolic through the seasons with Aunt Spring, Cousin Summer and Uncle Fall until it's time for them to return once again to their home beneath the ground "for their long winter's nap." The tale's timeless themes of renewal and rebirth have lost none of their resonance, but the narrative bogs down somewhat in old-fashioned cadences that may be a nod to the source but come off as slightly forced ("May love and happiness follow wherever you may bloom"). Bittinger's hazy, soft-focus oil paintings suffer the same fate. Technically skillful (his animals are exquisite), with delicate brushwork and a comely use of light and shadow, the portraits of the multicultural cast of cherubs, decked out in butterfly wings and floral garlands, falter when the brushwork drifts into the kind of calculated lushness found in Thomas Kinkade paintings. It's a laudable effort, but one that's ultimately less than the sum of its parts. Ages 5-10.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Kindergarten-Grade 4-According to the author's note, this story was originally written and illustrated in 1906 in Germany by Sibylle von Olfers. Wood's retelling of it is both economic and graceful. The tale itself is a gentle but joyous romp through the seasons. After Grandfather Winter returns to his palace of ice, Mother Earth wakes up her Root children, helps them dress in blossom clothing, and sends them up into the world. They frolic first with kind Aunt Spring and then with jolly Cousin Summer. The arrival of studious Uncle Fall signals a quieter time, and at last Mother Earth calls them back to their underground home and sings them a lullaby, while Grandfather Winter listens outside. The story itself is so evocative that it could be told without benefit of illustration, but in this case the pictures are so beautifully rendered that the words are almost superfluous. Bittinger's oil-on-linen paintings are nothing short of gorgeous. They are rich in texture, vibrant of hue, and rendered with such care and elegance that one is reluctant to leave one page for the next. This is a truly lovely offering from a talented pair.
Grace Oliff, Ann Blanche Smith School, Hillsdale, NJCopyright 2002 Cahners Business Information, Inc.