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Editorial Reviews
Amazon.com
A lovely peasant girl named Quashiba is spinning thread and laughing with her mama one day when young Big King comes riding through the trees, wondering what all the noise is about. Quashiba's quick-thinking, fast-talking mama tells a terrible fib. "Oh, great Big King, my daughter is spinning a whole field of finest golden thread to make cloth for his Highest. And we are so happy, we are rejoicing about it, don't cha know." And before Quashiba knows what's happening, Big King decides that he must have her as his queen so that she may spin him rooms full of golden thread. In despair, Quashiba agrees to a near-impossible bargain with a demonic, pointy-toothed little imp who shows up, promising to help her make the golden things.
A lovely peasant girl named Quashiba is spinning thread and laughing with her mama one day when young Big King comes riding through the trees, wondering what all the noise is about. Quashiba's quick-thinking, fast-talking mama tells a terrible fib. "Oh, great Big King, my daughter is spinning a whole field of finest golden thread to make cloth for his Highest. And we are so happy, we are rejoicing about it, don't cha know." And before Quashiba knows what's happening, Big King decides that he must have her as his queen so that she may spin him rooms full of golden thread. In despair, Quashiba agrees to a near-impossible bargain with a demonic, pointy-toothed little imp who shows up, promising to help her make the golden things.
The universal "Lit'mahn" folktale has many variants around the world, including the best-known German version, Rumpelstiltskin. In this West Indian version, the award-winning team of Virginia Hamilton and Leo and Diane Dillon, who, among them, have received the National Book Award, the Newbery Medal, three Newbery Honors, the Coretta Scott King Award, two Caldecott Medals, and many others, has created a spectacularly beautiful and delightful rendering of the favorite tale. Hamilton translates the language into a lilting colloquial style, perfect for reading aloud, while the Dillons use metallic paint and gold leaf to produce stunning, frame-worthy paintings replete with patterns, textures, and lavish colors. In a charming, strong-woman twist, the story concludes with Quashiba demanding (and her husband giving) an apology for his greedy, unfair behavior, and the two of them live "fairly happily ever after." (Ages 5 to 8) --Emilie Coulter
From Publishers Weekly
In this evocative picture book, Hamilton (Her Stories; Bluish) spins a new tale from old, as she adapts a West Indian version of "Rumpelstiltskin." The warm Caribbean climes are home to Quashiba, a young spinner woman who becomes wife to the ruler of the land, Big King, having been chosen for her supposed ability to spin gold. When Big King expects her to actually produce rooms full of golden cloth, help arrives in the form of Lit'mahn, a troll-like creature with a wooden leg and a long tail. Lit'mahn extends the familiar "guess my name" challenge and, in keeping with other versions of the story, winds up on the losing end. Readers will enjoy the familiar feel and the gentle cadence of the story here, made all the more rhythmic by the West Indian dialect Hamilton employs ("Don't cha know!"; "For true!"). In opulent illustrations, the Dillons (To Every Thing There Is a Season) take it to the gilt, incorporating copious amounts of gold paint in their creamy acrylic compositions. They frame each right-hand, full-page scene with a luxurious gold-leaf border that extends partway onto the previous page. Gloriously colored garments from an imperial era gone by plus the truly hideous appearance of the wild-eyed, sharp-toothed Lit'mahn add drama and depth to the proceedings. Ages 4-up. (Sept.)
Copyright 2000 Reed Business Information, Inc.
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