Amazon.com Review
Daniel Boulud's Manhattan restaurant, Daniel, is considered one of the nation's top dining spots. But in 1999,
New York Times restaurant reviewer William Grimes demoted Daniel from its lofty four-star status to a merely "excellent" three stars. Leslie Brenner's
The Fourth Star recounts her self-assigned year behind the scenes at Daniel, at the end of which Grimes returned the coveted star. Her fascinating fly-on-the-wall narrative takes readers to the restaurant's two arenas: the front of the house, a world of demanding patrons and equally exacting staff, who try to accommodate guests while ensuring the smooth coordination of operations; and the world behind the swinging doors, a roiling place in which tension is both staved off and cultivated by barking chefs--including Boulud--but which nonetheless (or consequently) produces world-class food.
Brenner takes readers everywhere: to the reservations desk and its crew's VIP-seating machinations; to staff meetings; to a wine-buying session; to a visit from President Clinton (who is allergic, it's noted, to chocolate); and, primarily, to the kitchen, where "the work is really hard and someone else takes all the credit" and burnout means that cooks, most in their 20s, stay an average of a year. This is all great stuff, and Brenner is particularly, almost amazingly, good at getting it all down to the last crème brûlée. Unfortunately, the book is compromised by the author's near-sycophantic regard for Boulud (his "genius is readily apparent," is a typical observation) and the restaurant, whose "wondrousness" is presented as a given. Thus the narrative, which is also (perhaps unavoidably) repetitive, often feels like an infomercial. Hanging her tale on the wish for the fourth star also plays Brenner false, as the issue is largely unmentioned or otherwise expressed by the cast of characters, leading Brenner to interject leading comments ("Could [Boulud] have missed his moment in the eyes of the critic whose judgment matters most?") that only salute the lack of narrative tension. These things said, the book is still a must-read for anyone interested in the workings of a top-drawer restaurant at the peak of its powers, and of the amazing hierarchical dramas, front of the house and back, that make it what it is. --Arthur Boehm
Reporter Brenner spent a year in New York's elegant restaurant Daniel as its staff labored together to earn a coveted fourth star from the
New York Times' powerful restaurant critic. Brenner's microscopic account of the dining room staff, the chefs, and the restaurant's patrons makes fascinating reading for foodies, who will virtually drool over dinner items such as ravioli stuffed with artichokes and arugula or risotto gazpacho. Brenner's vivid descriptive powers come to the fore to relate the professional and personal successes and setbacks of many of the kitchen staff, from the brilliant, charismatic chef-owner, Daniel Boulud, to the line cooks and even the oft-ignored busboys. In each aspect of this eating establishment, detail is everything. Brenner's account of how the restaurant takes (and refuses) reservations offers many an object lesson for anyone striving to do public service right. Consummately professional reservationists even smile as they talk on the telephone because they believe that a smile can be "heard" across the phone lines.
Mark KnoblauchCopyright © American Library Association. All rights reserved