From Library Journal
In an attempt to address the basic aspects of practicing and interpreting, this book includes both the physical and the spiritual. Instructions are given for stretching exercises to relax and flex the body and for meditation to prepare the mind, often addressing both physical and interpretive problems through a combination of both approaches. The bulk of the instructions are for pianists; here the author feels confident and speaks in her own voice. For other instruments and voice she relies, unquestioningly, on the opinions of others. The format is straightforward instruction combined with the somewhat stilted Socratic question-and-answer approach. For larger collections.
Timothy J. McGee, Univ. of TorontoCopyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Review
"Madeline Bruser has put together a valuable and insightful look at the art of practicing. If more people read this this book, perhaps we might see an increase in the number of inspired and joyful music makers who, rather than viewing practice as a punitive activity, regard it as the supreme opportunity to explore their own creativity."
American Music Teacher"An essential and brilliant book. Madeline Bruser gives us insight, wisdom, and tremendous practicality."
--Don Campbell, author of The Mozart Effect
"I've often thought of practice as playing--in the stretching, somersault, skipping, serenely special sense of the word--and The Art of Practicing reaffirms that. It gently and joyfully reminds us of the beautiful reasons we love music and become musicians in the first place."
--Richard Stoltzman, clarinetist
"The attitude and approach presented in this book ring true and can inspire us to open up to music with stimulated imagination and inquisitiveness and to play from the heart every time we sit down to play. I recommend this book and its ideas very highly."
--Peter Serkin, pianist
"An excellent sourcebook for musicians...logical, well thought-out, and clearly written, as well as medically tenable...thoughtful, sensitive, and very practical."
--Alice G. Brandfonbrenner, M.D., founding director Medical Program for Performing Artists, Rehabilitation Institute of Chicago, editor, Medical Problems of Performing Artists
"This is a book to read and read again, whether you are a performing musician or a serious listener."
The Washington Times
"Give this book to any musician you love and to any person who loves what music does for them and for the world. " --Richard Stoltzman, clarinetist
"Luminous and inspiring. "
--Paula Robison, flutist
See all Editorial Reviews
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