Review
This book's artist hero, writer Dale Hammer, does battle with the benighted conformity of bourgeois suburban culture. Saddled with a house and life he can't afford, Dale has alienated his wife and family through trying to have his cake and eat it, too. Dale, in a word, is unhappy. His talent has been slowly suffocating. He can no longer write his three novels far behind him, the product of a different life. He is reduced to brokering mortgages for a living, but even this ignominious day job is slowly evaporating with the housing market's decline. Dale's incisive narration of his rebellion against his stagnating life is the constant engine that drives this story. As his life crumbles around him, all seems lost for Dale, but he is inspired to an ultimate act of defiance that redeems him. The descriptions of this writer's life are funny and meaningful. However, the tidy ending after so much domestic chaos may be a bit unbelievable. This critically insightful diatribe against conformity is recommended for larger libraries. --Henry Bankhead, Los Gatos P.L., CA
Product Description
THE FUNNIEST NOVEL OF THE ELECTION YEAR. William Elliott Hazelgrove’s Rocket Man is in the tradition of Richard Russo’s Nobody’s Fool, Richard Ford’s Independence Day and Tom Poratta‘s Election; all three writers coming to grips with contemporary life in the suburbs. Rocket Man is a satire of life today. Dale Hammer is trying to get his piece of the American Dream, but he just can’t keep up. In one week, Dale is accused of cutting down the sign to his subdivision, plagued with a father who comes to live over his garage and on the hook for being the Rocket Man of his son’s Scout troop. In a time when the American Dream has become nothing short of being rich and famous, Dale heads for the catastrophe of Rocket Day with one mission—to give his son a sense of independence, and in the process, find himself.