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102 of 110 people found the following review helpful:
3.0 out of 5 stars
Not too Scary, but Wonderfully Told, December 29, 1999
On one of my bookshelves, next to a series of large tomes by Stephen King, there now stands a small, 200-page book that looks out of place. Between Gerald's Game and Insomnia, King's new book is tucked away, seeming as if it doesn't belong there at all. Yet although The Girl Who Loved Tom Gordon is a departure from his normal method of storytelling, it is still vintage King.The title character is Trisha McFarland, a nine year-old girl (but big for her age), daughter of divorced parents, and the glue that has been holding together her feuding mother and older brother. As they set out for a hike through the woods in Maine (where else?), Trisha stops for a moment to go off the trail in an effort to get away from the family bickering. Separated from her mother and brother, Trisha attempts to find her way back to the trail only to discover that she is completely lost. With a stoic resolve that King manages to make completely believable, Trisha sets off on an adventure, trying to find her way home. Her only link to civilization is her Walkman radio, which she cares for with a reverence. As she listens to the Boston Red Sox game, she begins to fantasize that closing pitcher Tom "Flash" Gordon is talking to her. As the hours turn to days, Trisha comes to the realization that something else is in the woods with her, too. She doesn't have a name for it, but she begins thinking of it as "the thing" in the woods and later knows it as The God of the Lost. Little by little, Trisha slips between reality and the dark place where King likes to play. She sees things in the night, feels the breath of it on her neck, but the reader is never sure if it's real or merely the imaginings of a young girl whose stress level is beyond the breaking point. Soon the barrier between reality and hallucination is gone, and Tom Gordon becomes not just an idle fantasy to pass the time, but a "real" person helping her through this nightmare. Tom gives her the strength she needs and comes to her when everything is all but lost. Through it all, Trisha tries desperately to discover what she believes and what she can believe in. King does a wonderful job of telling the story almost entirely from Trisha's point of view. He does cheat once or twice to tell the reader what is happening in the search for the missing girl, but these breaks are few and far between. The audience is stuck with Trisha, lost in the woods, and unsure if she will ever be saved. While The Girl Who Loved Tom Gordon often seems out of character for King. More than a horror novel, it is a tale of survival and humanity fighting against nature. But there are still moments that mirror his past work, too. This is not to say that he is repeating himself, but rather that fans will see that this is a a King novel after all. The Girl Who Loved Tom Gordon may never be considered King's best (or best selling) novel, but it is intimate and inviting. There is no real horror, but it is a compelling tale wonderfully told.
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