Towards a Poor Theatre (Paperback)

~ (Author), Peter Brook (Foreword) "I am a bit impatient when asked, "What is the origin of your experimental theatre productions?..." (more)
Key Phrases: Ryszard Cieslak, Jerzy Grotowski, Hatha Yoga (more...)

Editorial Reviews

Product Description

"One of the century's most impressive theatrical manifestos" - Irving Wardle Jerzy Grotowski created the Theatre Laboratory in Opole, South-West Poland, in 1959. His work since then, with a small permanent company, became one of the most potent sources of information for modern actors and directors. This is a record of the ideas that motivated the work of the Theatre Laboratory, and of the company's methods and discoveries.In his Preface Peter Brook writes: "Grotowski is unique. Why? Because no one else in the world, to my knowledge no one since Stanislavski, has investigated the nature of acting, its phenomenon, its meaning, the nature and science of its mental-physical-emotional processes as deeply and completely as Grotowski."Grotowski's Theatre Laboratory Company was first seen in Britain at the Edinburgh Festival in 1968 and went on to international fame. --This text refers to an out of print or unavailable edition of this title.

Product Details

• Paperback: 262 pages
• Publisher: Touchstone; Reprint edition edition (April 15, 1970)
• Language: English
• ISBN-10: 0671204149
• ISBN-13: 978-0671204143
• Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon.com Sales Rank: #1,017,612 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

11 of 11 people found the following review helpful:

5.0 out of 5 stars A Classic, October 17, 2001

By	J. F. Rick "bricoleur, hobbit" (Atlanta, GA USA) - See all my reviews (REAL NAME)

This review is from: Towards a Poor Theatre (Performance Books) (Paperback)

There is no better book that I have read on the theory and practice of theatre. As Peter Brook says in the preface, "Grotowski is unique. Why? Because no-one else in the world, to my knowledge, no-one since Stanislavsky, has investigated the nature of acting, its phenomenon, its meaning, the nature and science of its mental-physical-emotional processes as deeply and completely as Grotowski."

Grotowski argues effectively that the split of the stage and the screen necessitates that the stage redefine its focus. The screen with its higher budget and countless retakes will always beat the stage in richness. So, Grotowski posits "If it [the stage] cannot be richer than the cinema, then let it be poor." The rest of the book illustrates what such a poor theatre means in practice. Brilliant.

14 of 15 people found the following review helpful:

4.0 out of 5 stars Beauty in Poverty and Performance, January 8, 2003

By	Kevin L. Nenstiel "omnivore" (Kearney, Nebraska) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

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This review is from: Towards a Poor Theatre (Theatre Arts (Routledge Paperback)) (Paperback)

Comprehending this book is no small feat. Sure, you start with the premise that competing with the technical spectacle of movies and TV is a fruitless pursuit. That's not difficult. Neither is the idea of embracing poverty in theatre and making the human being the only center of performance. That's dead easy. Spare costumes, little or no makeup, no sound effects, as few light effects as possible. Who can argue with that?

But this doesn't mean everybody can embrace Grotowski's vision of Poor Theatre. His is one that involves stripping away all preconceived notions of theatre from the early Modern period on. This will never fly in commercial theatre, dependent as it is on technology, nor will it satisfy many recent playwrights, who depend on technical do-funnies to make their shows work.

Grotowski also takes a funny view of plays, playwrights, and theoreticians who don't agree with him. Among other things, he considers playwrights as hired talent and plays as essentially malleable. He also suggests that the only way the writings of Artaud are useful in theatre is if they are taken elementally rather than globally - a position sure not to sit well with many avant-garde directors.

Because this book isn't a straight-ahead statement of principles, ideas, and practices, it yields its secrets only with difficulty. Parts of it aren't even written by Grotowski, but are interviews by other authors, or even observations that don't include quotes from the man himself. It was basically compiled to provide an overview of the ideas and products of the Polish Laboratory Theatre up to that time, and it encourages experiment and development by the reader.

This isn't to say that it isn't actually useful. There are exercises for actors; there are statements of theory for directors; there are even sketches, diagrams, and photos for designers. However, expect to wrestle with this book if you're going to unlock its secrets. Once you elect to start down this path, you have a long row to hoe

10 of 10 people found the following review helpful:

5.0 out of 5 stars It is a crime this book is out of print., November 21, 2001

By	Damon Navas-Howard (Santa Rosa, CA USA) - See all my reviews

This review is from: Towards a Poor Theatre (Hardcover)

"Towards A Poor Theatre" by Jerzy Grotowski is probably the most important book written on acting since Stainslavsky's three famous character books. There is so little known about Grotowski and many people have tried to fake his work and people need to read the man's original words. Grotowski's vision of theatre has had the greatest effect on me more than any other person in theatre. He saw acting as a Holy experience where both the actor and spectator were transformed after the performance. Grotowski expanded from where Stainslavsky left off and drew his ideas everywhere from modern art to religious rituals to primitive theatre. Any one interested in theatre must read this book somehow and be changed forever like I have.