Amazon.com Review
Alan Brown's first novel is a comic tale of sexual desire and bad manners set in contemporary Tokyo. Twenty-three-year-old cartoonist Toshi is obsessed with slim American women, and his best friend, an American named Paul, is obsessed with Japanese men. Toshi begins having an affair with Jane, his English teacher, who turns out to be insane; Paul has an endless stream of Japanese boyfriends all of whom leave him.
Audrey Hepburn's Neck is slyly funny and very observant. Brown is equally concerned with sex as an obsession and the erotics of cultural differences, but his comic masterstrokes are in being able to conjure up the humor in looking for sex and the sometimes tragedy in getting it.
Audrey Hepburn's Neck is resonant, charming and very witty.
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From Publishers Weekly
Writing with the assurance of a born novelist, Brown has produced a witty, touching coming-of-age story that is a keenly observed, diverting depiction of Japanese-American culture clash. Ever since his ninth birthday, when he saw his first Audrey Hepburn film, narrator Toshi Okamoto has fantasized about foreign women. When Toshi, now a young commercial artist in Tokyo, is seduced by Jane, his teacher at the Very Romantic English Academy, he finds the aggressively sexy, self-dramatizing American woman confusing, without realizing that she is psychotic. Not only Americans are unknowable, however; so are Toshi's parents. It was difficult growing up in the small northern town of Hokkaido after his mother left his father, to move not far away across the peninsula, and Toshi has always felt socially uncomfortable and embarrassed because of his parents' estrangement. Theirs had been a household ruled by silence, and one of the secrets Toshi unlocks in the course of this narrative is the reason for his family's sadness and isolation. Meanwhile, however, he undergoes a series of adventures with other Americans: his gay friend, Paul, and the composer Lucy, both of whom teach him some essential truths. These events take place against a backdrop of daily events in postwar Japan, from the 1960s to the 1980s, a society that is changing almost as fast as Toshi's perceptions of life. The Emperor is dying; women are auditioning to become the wife of the Crown Prince; anti-American riots are sweeping the country. Brown tells his tale in spare but vigorous prose, energized by dazzling visual images and haunting metaphors. The reader is caught up in Toshi's fear, excitement and frustration as he encounters strange and amazing Western concepts, and as his notion of himself changes. This captivating first novel is delightfully buoyant and full of surprises. BOMC and QPB selections; film rights to Wayne Wang; author tour.
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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