From Publishers Weekly
In the entertaining second entry in Grimwood's Arabesk trilogy (after
Pashazade), Ashraf Bey is now the chief of detectives in the fictional Middle Eastern city of El Iskandryia, located in an alternate future where the Ottoman Empire still exists. While tensions between fundamentalism and nationalism roil the metropolis in a way that will be familiar to followers of current events, Bey must identify and thwart a vicious serial murderer who mutilates his victims. Suspicion attaches to the cryptic owner of Hamzah Enterprises, the father of the woman Bey has fallen for. Terrorist outrages rock El Iskandryia—kidnappings, arson, bombings—while the inquiry takes the sleuth on a journey through the seamy underbelly of his adopted society. As with
Pashazade, the book gains strength from its depiction of the warm if prickly relationship Bey has with a young girl he has assumed responsibility for, as well as from some surprising flashes of humor. Less of a classic whodunit than its predecessor, this unique blend of mystery, speculative fiction and political intrigue should attract readers across several genres.
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Review
The dazzling Pashazade was always going to be a hard act to follow, but it comes as little surprise that the prodigally talented Grimwood has pulled off the trick. His way with a sentence has a baroque finesse that makes these unclassifiable novels as elegantly written as they are rich in imaginative energy. Ashraf Bey is fleeing from the US justice system. Is he the son of the Emir of Tunis? And is he the chief of detectives for the El Iskandryian police force? As the city falls apart around him, Bey has more on his plate than merely the question of his own identity. Some might call this SF (the US, France and Germany are attempting to dominate the Middle East in this alternative 21st century), but here is writing that defies category.
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