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Allan Gurganus documents the daily dreams that sustain us. In the title novella of his extraordinary new collection,
The Practical Heart, the narrator tells how his Aunt Muriel, a dour, genteel-poor Scottish immigrant, came to be painted by John Singer Sargent. This bit of family history turns out to be a fiction of the narrator's making, invented in an attempt to express how grand his aunt
might have been, given an entirely different life. The other novellas likewise give us narrators interpreting and inventing the people around them. In "Preservation News" a woman eulogizes a historical preservationist who taught her the language of architecture; in "He's One, Too," a gay man looks back on his 1950s youth, when a stolid neighbor was arrested for indecent exposure in a public lavatory; in "Saint Monster," a son mourns his homely, good-hearted father, giving us parent-love as perhaps the most ordinary fantasy of all.
--Claire Dederer
From Publishers Weekly
The four novellas in this collection by Gurganus (Oldest Living Confederate Widow Tells All, etc.) divide neatly into stylistic halves. The first two, "The Practical Heart" and "Preservation News," are written with an almost Jamesian attention to the semaphore of implications and elided emotions that mediate social pretenses. "The Practical Heart," which tells how the narrator's great-aunt Muriel Fraser came to be painted by John Singer Sargent, first builds a story, then deconstructs it. The story is foregrounded in the collapse of the Fraser family's Scottish fortune, which maroons the clan in Chicago, where Muriel goes from being a pampered heiress to a piano teacher. But the second chapter in this story takes us behind the scenes of the fiction, showing how Muriel, a stubborn, fragile woman, became her nephew-narrator's first guide to life outside of parochial Falls, N.C. In "Preservation News," Mary Ellen Broadfield, an 81-year-old woman of quality in Falls, writes the obituary of Tad Worth, the moving spirit behind the local preservationist scene. Openly gay, martini-loving, gossipy and unkempt, Worth carved a space for himself in Falls that would have been unimaginable in an earlier era. The next two stories, written in a more freewheeling style, inhabit the dark side of that earlier era. "He's One, Too," tells of the ruin of a local businessman, Dan R., caught feeling up a 15-year-old boy in a rest-room setup in Raleigh. "Saint Monster" is a memoir of Clyde Melvin Delman Sr. by his son. Clyde, an ugly, much cuckolded salesman, spent his life passing as white. Although the first two novellas are beautifully realized, the last two are needier texts, requiring an empathy on the reader's part that they don't quite merit. 14-city author tour.
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