A Bend in the River (Paperback)

~ (Author) "The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it..." (more)
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Editorial Reviews

Review

"For sheer abundance of talent, there ca hardly be a writer alive who surpasses V.S. Naipaul." ?The New York Times Book Review

"Confirms Naipaul's position as one of the best writers now at work." ?Walter Clemons, Newsweek

"The sweep of Naipaul's imagination, the brilliant fictional frame that expresses it, are in my view without equal today." ?Elizabeth Hardwick -- Review

Novel by V.S. Naipaul, published in 1979. Reminiscent of Joseph Conrad's Heart of Darkness, A Bend in the River chronicles both an internal journey and a physical trek into the heart of Africa as it explores the themes of personal exile and political and individual corruption. It expresses Naipaul's skepticism about the ability of newly decolonized nations to forge independent and politically viable identities. The narrator, Salim, a Muslim Indian merchant, opens a store in a sleepy small town at a bend in the river (ostensibly the Congo River). The town's inhabitants include a Belgian priest, a witch and her son Ferdinand, and a white intellectual named Raymond and his elegant wife Yvette. The president of the new country is a demagogue called the Big Man who hires Raymond as his speechwriter. Salim loses control of his store to the commercially inexperienced Citizen Theotime, who hires Salim to manage it. Gradually the town's veneer of civilization cracks, and chaos and corruption reign. -- The Merriam-Webster Encyclopedia of Literature

Review

"For sheer abundance of talent, there ca hardly be a writer alive who surpasses V.S. Naipaul." —The New York Times Book Review

"Confirms Naipaul's position as one of the best writers now at work." —Walter Clemons, Newsweek

"The sweep of Naipaul's imagination, the brilliant fictional frame that expresses it, are in my view without equal today." —Elizabeth Hardwick

See all Editorial Reviews

Product Details

• Paperback: 288 pages
• Publisher: Vintage (March 13, 1989)
• Language: English
• ISBN-10: 0679722025
• ISBN-13: 978-0679722021
• Product Dimensions: 7.9 x 5.2 x 0.9 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (76 customer reviews)
• Amazon.com Sales Rank: #50,176 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

126 of 135 people found the following review helpful:

5.0 out of 5 stars This is not really fiction, April 14, 2000

By	Ed Gibbon www.congocookbook.com (Washington DC) - See all my reviews

Naipaul's "A Bend in the River" is almost as much reportage as fiction. The novel is set in the city of Kisangani, on the Congo River in Congo (formerly the Zaire river in Zaire) -- though interestingly, the author never says this explicitly. I have never seen an account as to what Naipaul's experiences in Zaire were exactly, but he manages to tell the story of the early days of Zaire's independence, after colonial rule as the Belgian Congo.

The protagonist is a young Indian from the Eastern coast. ("Indian" in the sense of his ethnicity, his family has been in Africa longer than they can remember.) He has purchased a shop in Kisangani, and trys to build up his business as the "big man" consolidates power in the newly independent country. Things go from bad to worse, for the new shopkeeper and the country. Though this is fiction, every word is true.

Naipaul writes beautifully, and has many insights into Africa, colonialism, history, and life. This is one of the few books that I have read and enjoyed more than once.

Some people recommend Chinua Achebe's "Things Fall Apart" to readers looking for an "African" novel. But to recommend "Things Fall Apart" over "A Bend in the River" makes sense only if you can read just a single book about Africa. Achebe's novel is set in Nigeria; Naipaul's is about Zaire. It's like saying don't bother with "Brothers Karamozov", read "Great Expectations" instead. I should hope a serious reader would turn his attention to both.

(The last days of the Belgian Congo is the setting for Barbara Kingsolver's "The Poisonwood Bible". Many good nonfiction stories from this time and place are found in "A Doctor's Life: Unique Stories" by William T. Close. A literary approach to the early days of the Belgian Congo is Joseph Conrad's "Heart of Darkness".)

71 of 79 people found the following review helpful:

5.0 out of 5 stars high point in Naipal's career, April 17, 2001

By	Robert J. Crawford (Balmette Talloires, France) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This is one of those novels that can haunt the imagination for the rest of the reader's life. It is a true masterpiece of exploratory fiction, from the opening paragraph, "The world is what it is," to the closing images of moths "white in white light." Its world is brutal and alien, yet brings out the humanity, vanities, and hopes that all of us share. As a window into the mind of underdeveloped countries, it is unsurpassed. It is so superior to Conrad's Heart of Darkness, to which it is so frequently compared, that critics should not even mention them together.

The writing is plain, yet elegant, a quiet symphony as it portrays a journey of violence and despair and growth. Once I finished it, I read it again from cover to cover in a single sitting, transported into these alien lives that only occur in few novels I have ever read. As such, it can serve as the starting point of a lifelong inner conversation, the true mark of a classic.

This novel was written at the high point in Naipal's career. He was just becoming world famous and this one cemented his reputation. It is a pity that his subsequent works never quite matched the sweep and depth of voice in this novel. Now he is criticized, perhaps rightly, for his sexism, his pessimism, and his petty prejudices.

But this novel is one of the best I ever read.

33 of 35 people found the following review helpful:

4.0 out of 5 stars "Africa has no future", February 17, 2002

By	"michaeleve" (Miami, Florida) - See all my reviews (TOP 1000 REVIEWER)

Naipaul in one of his typically politically-incorrect interviews said these very words about the continent. A BEND IN THE RIVER is therefore a gloomy book and offers a pessimistic view of Africa. If Conrad had not already taken the title, then this book could easily have been called HEART OF DARKNESS. That's not a coincidence either as Naipaul is frequently compared to Conrad in terms of literary style and theme. The setting is the same also. Although A BEND.. takes place in a fictitious African country it can be read as either Congo or Uganda as it is based on his visits to those countries in the 1960's.

The principal character and narrator of the story is Salim, an Indian and Muslim. Indian merchant families like his have been living in the coastal area of the country for generations. The blacks live inland. Salim decides to move to a small, formerly-quaint colonial town in the interior to set up shop and sell cloth. He is immediately at a loss, in conflict, confused - a man in search of an identity in a country in search of itself. Salim must contend with the rapidly changing social, economic and political environment of the newly independent country while at the same time sort out his own world view in the face of the contending opinions of the other characters. There is the influence of the Big Man - and simply because he is president for life - his interests must be served. There are others: a Belgian priest; Raymond, the white speech writer for the Big Man; Yvette, Raymond's wife; Mahesh, a disillusioned Indian, and finally, the most unlikey important character - Ferdinand. He is a simple boy from the "bush", who, in this upside-down country, becomes Governor of the town after the nation is "radicalized" by the Big Man.

The newly-independent former-colony and the various cultural and political influences of the inhabitants are the foils for two of Naipaul's favorite themes. First is his affinity for, and identity with, dispossessed persons. Dispossessed in the personal sense of the word - no home, no country, no identity - a nobody. Following from this personal sense of rootlessness and anomie is Naipaul's un-romantic and oftentimes very critical assessment of the ability of developing countries to sustain the hopes and dreams of their people. This is ably summed up by Ferdinand. "We are all going to hell, and everyman knows this in his bones...everyone want's to make his money and run away. But where?"

Naipaul's prose is direct, not symbolic, so many students of Post Colonial literature have had a field-day dissecting Naipaul's various literary allusions and castigate him as a conservative and supporter of neo-colonialism. If that's your area of interest and particular world-view then you will definitely not enjoy A BEND.. If on the other hand you simply like well written, slightly satirical novels with finely-detailed characters and are inclined to not take writers or your reading material too seriously then this is a book you'll definitely enjoy.