Notes from Underground (Paperback)

by Fyodor Dostoevsky (Author), Richard Pevear (Translator), Larissa Volokhonsky (Translator) "I AM A SICK MAN...I am a wicked man..." (more)
Key Phrases: little debauch, crystal edifice, seven roubles, Anton Antonych, Hotel de Paris, Lake Como (more...)

Editorial Reviews

Review
Praise for previous translations by Richard Pevear and Larissa Volokhonsky, winners of the PEN/Book-of-the-Month Club Prize

The Brothers Karamazov
“One finally gets the musical whole of Dostoevsky’s original.” –New York Times Book Review

“It may well be that Dostoevsky’s [world], with all its resourceful energies of life and language, is only now–and through the medium of [this] new translation–beginning to come home to the English-speaking reader.” –New York Review of Books

Crime and Punishment
“The best [translation] currently available…An especially faithful re-creation…with a coiled-spring kinetic energy… Don’t miss it.” –Washington Post Book World

“Reaches as close to Dostoevsky’s Russian as is possible in English…The original’s force and frightening immediacy is captured…The Pevear and Volokhonsky translation will become the standard version.” –Chicago Tribune

Demons
“The merit in this edition of Demons resides in the technical virtuosity of the translators…They capture the feverishly intense, personal explosions of activity and emotion that manifest themselves in Russian life.” –New York Times Book Review

“[Pevear and Volokhonsky] have managed to capture and differentiate the characters’ many voices…They come into their own when faced with Dostoevsky’s wonderfully quirky use of varied speech patterns…A capital job of restoration.” –Los Angeles Times

With an Introduction by Richard Pevear


From the Hardcover edition.

Product Description
(Book Jacket Status: Jacketed)

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.


From the Hardcover edition.

See all Editorial Reviews

Product Details

• Paperback: 160 pages
• Publisher: Vintage (August 30, 1994)
• Language: English
• ISBN-10: 067973452X
• ISBN-13: 978-0679734529
• Product Dimensions: 7.9 x 5.2 x 0.5 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars See all reviews (139 customer reviews)
• Amazon.com Sales Rank: #19,286 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

118 of 130 people found the following review helpful:

5.0 out of 5 stars More with the Mad Genius........., August 13, 2001

By	Suzanne "Suzanne" (United States) - See all my reviews

Quick read? I finished Crime and Punishment and thought I'd zip through Notes like a snack before going on to the Brothers Karamozov, afterall, it's barely over 100 pages. Quick read? Think again.

Imagine being locked in a very small room with a verbose, insane, brilliant, jaded, before-his-times, clerk-come-philosopher....with a wicked sense of humor, and a toothache that's lasted a month. Pleasant company....are you searching for the door yet?

For the first hour, he's going to rant about his philosophy of revenge, the pointlessness of his life, his superiority, his failure, oh yeah, and his tooth. FOr the second half of the book, he's going to tell you a tale, with the title "Apropos of the Wet Snow". Because of course, there's wet snow outside on the ground.

I will leave you with this encouragement. If you can get through this book, you will appreciate Doestoevsky more, understand Crime and Punishment better, and probably enjoy a good laugh more than once.

Notes from the Underground is not light reading, but it is well worth the effort. And the translation by Pevear, including the translators notes at the back, is excellent.

70 of 78 people found the following review helpful:

4.0 out of 5 stars Deep analysis of the human condition, April 27, 2001

By	Bryan A. Pfleeger (Metairie, Louisiana United States) - See all my reviews (REAL NAME)

Notes From The Underground is Dostoevsky's grand look at the human condition from the perspective of a man living on the fringes of society. The short novel provides the key to much of the author's later and more fleshed out novels.

Presented in two parts the novel tells the story of the unnamed Undergound Man who is forced into a life of inaction by the reason driven society that he finds himself in.

Part I of the novel is a long monologue to an invisible audience which explains how the Underground Man came into existence. It is a masterpiece of Existentialist fiction and has been the cornerstone for many later writers including Freud and Camus. The ideas expressed in this part of the novel deal with the character's interactions with himself. This is also the mother of all anti-hero literature. Through the Underground Man's speech we identify him as an over sensitive man of great intellegence. We begin to identify with the character and understand him. While this part of the novel is idea laden it presents one of the great characters of modern fiction.

Part II of the novel is much more accessible to today's reader. This part of the novel deals with the Underground Man's interactions with the society around him. It is in this section that we see that he incapable of reacting in a normal way with the persons that he comes into contact with. He is not the rational man of Part I but a person driven to inaction by his own personal circumstances. He is spiteful, mean spirited and incapable of giving or receiving love to or from others.

On the whole this is a very important piece of world literature which deserves a very careful reading. The novel reads like an onion with each new chapter giving us deeper and deeper insight into the character. The modern reader may well grow tired of the writing style of the novel but if one has patience and reads carefully he will be rewarded.

59 of 69 people found the following review helpful:

5.0 out of 5 stars A Slime of His Time, June 19, 2003

By	Robert S. Newman "Bob Newman" (Marblehead, Massachusetts USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

The first words of this deeply disturbing, but powerful, novel are "I am a sick man....I am a spiteful man." and these may refer equally to the main character and to the author. Dostoevsky has written an amazing portrait of a loner, whose introverted, sick thoughts spill out on the pages in demented brilliance. The novel is a product of European cynicism, nihilism, and inertia, all of which reached a certain height in the paralyzed upper circles of 19th century Russia. Nobody could write such a book without some personal acquaintance with the mean moods of this anti-hero. The main character, who does nothing except hide from the world, is a total misfit, a loser in life at home, at work, and in love---a jerk, a dweeb, a dork, a geek in modern American parlance---yet through Dostoyevsky's clear prose, we see into his wounded soul. "Actually, I hold no brief for suffering, nor am I arguing for well-being." he writes, "I argue for...my own whim and the assurance of my right to it, if need be." He is apart from society, recognizes no social obligation. He argues that suffering is still better than mere consciousness, because it sharpens the awareness of your being, therefore suffering is in man's interest Someone who can argue that is not going to write an average novel. This is in fact not an average novel at all, but a book concerned with the play of ideas, ideas that flash around like comets and meteorites inside Dostoevsky's head. It can no more escape Dostoevsky's brain than a Woody Allen movie can escape Woody Allen.

The plot line of NOTES FROM UNDERGROUND is extremely slim. It concerns an underground man, a man like a rat or a bug, who lives outside, or more likely, underneath the world's gaze. It is a lonely, tortured life lived inside a single skull with almost no contacts with the rest of the world except for a vicious servant. The "action" of the book comes only when the protagonist worms his way into a dinner with former schoolmates. They don't want him, he despises all of them. So, as you can imagine, a good time is had by all. The underground man winds up in a brothel with an innocent, hapless prostitute named Liza. He wishes for some relationship, he immediately abhors the very thought of contact with another person. The result is worse than you can predict, though I will say that it involves "the beneficial nature of insults and hatred".

In the tradition of novels of introspective self-hatred, Dostoevsky's has to be one of the first. I wondered as I read how much Kafka owed him, for after all, the hero here is a cockroach too, only remaining in human form. I realized how much Dostoevsky had influenced the Japanese writers of the 20th century---Tanizaki, Mishima, Soseki, Kawabata, and others. The pages are brilliant, but full of vile stupidity, useless, arid intellectualism, hatred of one's best and love of one's worst qualities, withdrawal from life, and self-loathing. A less American novel would be hard to imagine. But, some of these characteristics are found in almost everyone at some point in their life, unpleasant as that realization may be. I have to give NOTES FROM UNDERGROUND five stars, though I can't say I enjoyed it. It is simply one of the most impressive novels ever written.