A Farewell To Arms (Paperback)

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As a youth of 18, Ernest Hemingway was eager to fight in the Great War. Poor vision kept him out of the army, so he joined the ambulance corps instead and was sent to France. Then he transferred to Italy where he became the first American wounded in that country during World War I. Hemingway came out of the European battlefields with a medal for valor and a wealth of experience that he would, 10 years later, spin into literary gold with A Farewell to Arms. This is the story of Lieutenant Henry, an American, and Catherine Barkley, a British nurse. The two meet in Italy, and almost immediately Hemingway sets up the central tension of the novel: the tenuous nature of love in a time of war. During their first encounter, Catherine tells Henry about her fiancé of eight years who had been killed the year before in the Somme. Explaining why she hadn't married him, she says she was afraid marriage would be bad for him, then admits:

I wanted to do something for him. You see, I didn't care about the other thing and he could have had it all. He could have had anything he wanted if I would have known. I would have married him or anything. I know all about it now. But then he wanted to go to war and I didn't know.

The two begin an affair, with Henry quite convinced that he "did not love Catherine Barkley nor had any idea of loving her. This was a game, like bridge, in which you said things instead of playing cards." Soon enough, however, the game turns serious for both of them and ultimately Henry ends up deserting to be with Catherine.

Hemingway was not known for either unbridled optimism or happy endings, and A Farewell to Arms, like his other novels (For Whom the Bell Tolls, The Sun Also Rises, and To Have and Have Not), offers neither. What it does provide is an unblinking portrayal of men and women behaving with grace under pressure, both physical and psychological, and somehow finding the courage to go on in the face of certain loss. --Alix Wilber

From Library Journal

These dual Hemingways are the latest volumes in the Scribner Paperback Fiction series (Classic Returns, February 15, p. 187). They offer quality trade size editions, featuring attractive covers and easily readable type size. Two of the greats.
Copyright 1995 Reed Business Information, Inc.

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Product Details

• Paperback: 332 pages
• Publisher: Scribner; 9th edition (June 1, 1995)
• Language: English
• ISBN-10: 0684801469
• ISBN-13: 978-0684801469
• Product Dimensions: 7.9 x 5.2 x 0.8 inches
• Shipping Weight: 12 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (396 customer reviews)
• Amazon.com Sales Rank: #1,901 in Books (See Bestsellers in Books)

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45 of 48 people found the following review helpful:

4.0 out of 5 stars A classic novel of WWI, June 29, 2002

By	D. Roberts "Hadrian12" (Battle Creek, Michigan United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

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A FAREWELL TO ARMS is one of Hemingway's earliest novels. With much of the material loosely based on his own personal experiences as an ambulance driver during World War I, the story captures in great detail the conflict in all of its horror and barbarism.

The book invites us to imagine all of the brave soldiers who went into the war in search of glory. What they found instead was the endless stalemate and hideous prospect of trench warfare. Perhaps more than any other war in the history of warfare, the first World War changed the traditional paradigms of how wars were fought and what the objectives of engagements were. Hemingway, who was there himself, serves as a perfect instrument to portray what it was really like.

The plot centers around Frederick Henry, an American ambulance driver for the Italian army (a job Hemingway performed himself). Henry is a typical masculine Hemingway male persona who falls in love with a beautiful, long-haired & impetuous British nurse named Catherine Barkley. Henry is an exemplar of the WWI soldier who gets more than he bargains for in the war; betrayal and ignominious soldiering of the Italians in the wake of defeat.

The tragic irony of this novel is what makes it so memorable. Henry, as a wounded man who withdraws from the battle, as well as the whims of the Italian Army. However, he does so only to find that life is full of tragedy whether you're in a war or not.

I would highly recommend this novel to all fans of Hemingway, American literature and World War I period historical and literary works. It is with the subtle prose of Heminway that we can be effectively transported back to that epoch of our world history.

52 of 63 people found the following review helpful:

5.0 out of 5 stars Wonderful Anti-War Novel By Hemingway In His Prime!, March 28, 2001

By	Barron Laycock "Labradorman" (Temple, New Hampshire United States) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This wonderful story by a young early Hemingway is perhaps, along with "For Whom The Bell Tolls", one of the finest anti-war novels ever written. In it we are introduced to a young and idealistic man, Frederick Henry, who, through love, experience and existential circumstance, comes to see the folly, waste, and irony of war, and attempts to make his own peace outside the confines of traditional conformity. For all of his obvious excesses, Hemingway was an artist compelled to delve deliberately into painful truths, and he attempted to do so with a style of writing that cut away all of the frills and artifice, so that at its heart this novel is meant as a exploration into what it means to confront the world of convention and deliberately decide to choose for what one feels in his heart as opposed to what one is expected to do. Of course, in so doing, the young ambulance driver becomes a full-grown adult, facing his trials with grace and courage. Still, what we are left with is a modern tragedy, one in which the characters must somehow attempt to resolve the irresolvable.

Yet in all this emotional turmoil and existential 'sturm-und-drang' of two star-crossed lovers caught in the contradictions, deceptions, and brutality of the First World War, we are also treated to Hemingway's amazing powers of exposition at the peak of his prowess. Indeed, as with other Hemingway novels, it is Hemingway's imaginative and spare use of the language itself that wins the reader over. Unlike his predecessors, he sought a lean narrative style that cut away at all the flowery description and endless adjectives. In the process of parsing away the excesses, Hemingway created a clear, simple and quite declarative prose style that was truly both modern and revolutionary.

In what may be one of the most quoted passages in modern fiction, in "A Farewell to Arms" Hemingway gives us his personal view of the world's inevitable negative impact on all of us: "If a person brings so much courage into the world that the world must kill him to break him, so of course it kills him. The world breaks everyone and afterward many are strong at the broken places. But those it cannot break it will kill. It kills the very good, the very gentle, and the very brave impartially. If you are none of these things the world will kill you too but there will be no special hurry." Here the human beings are caught in the murderous crossfire of brutal forces fighting to death, and they must flee to save themselves and their hopes for a better future away from the madness. Their journey towards safety is full of the poignancy of all such fragile ventures, and someone must pay the cost of their bravery, gentleness, and love.

What one encounters as a result is a story seemingly stripped to its barest essentials, superficially more like the newspaper man's pantheon of who, what, where, when, and why, and yet somehow transformed into a much more accurate and imaginative effort, one leaving the reader with a much more artful account of what is going on. One reads Hemingway quickly, at least at first, when one learns to slow down and drink in every word and every detail as it is related. For me and for millions of others, the true genius of Hemingway is to be found in his artful use of language. This book was one of Hemingway's finest successful forays into the world of letters, and the result of his collected works truly changed the face of modern fiction. Enjoy!

14 of 15 people found the following review helpful:

5.0 out of 5 stars THE novel of the twentieth century? Plus - a warning..., August 26, 2000

By	William A. Owen (St. Leon, Indiana United States) - See all my reviews

Seven decades after the intial publication, A Farewell to Arms now seems to be the Hemingway novel that gets the most attention and many readers new to Hemingway are probably drawn to it for their initial exposure to the author. Normally, starting off with a writer's best book might be a good approach, but not in this case. A Farewell to Arms, while Hemingway's greatest work, also offers the uninitiated reader the greatest challenge. This is as terse as it gets, and if you're not familiar with Hemingway's style, you may find yourself wondering what all the fuss is about. Worse, you may become one of those millions of intelligent, well-read people who think he is a horrible joke. Start with a few of the short stories. Read some of the criticism (positive and negative). Do a little research on WWI (if you feel you need to). Then go for The Sun Also Rises. At that point, you will be hooked, or you will write the guy off forever. If you find yourself in the former category, you will really appreciate the opportunity to read incredible this book.