From Library Journal
Contributing editor Jon Pareles notes in the preface that rock is about tension "between formula and innovation...between independence and the chance to reach the mass public." This work, while definitive, leans toward formula and mass appeal, taking few chances. Ultimately, it is a reference work on rock'n'roll, not of rock'n'roll. That being said, it's hard to argue with 2200 meticulously researched entries describing rock figures from the famous to the all but forgotten. A typical entry for a band gives the year and date the group formed, the members and their birth dates and places, their instruments, and a discography followed by an essay. The essays range from 100 words (Mungo Jerry) to four-plus pages (Elvis) and deal noncritically with the artists' work, history, and influence. The discographies are often incomplete, which the editors chalk up to the overlaps created by compilation and greatest-hits albums. There are also essays that attempt to define genres (rap, industrial, techno, etc.), which unfortunately give scant detail and fail to distinguish between those artists who have entries in the book and those who do not. Also, there are no bibliographies for either the genre or artist essays. Despite these flaws, however, if you are looking for a basic reference on rock'n'roll, this is the one to buy. Recommended for all libraries.
Adam Mazmanian, "Library Journal"Copyright 1995 Reed Business Information, Inc.
Product Description
A completely revised and updated source, featuring more than five hundred new entries, offers an authoritative and comprehensive look at the history of rock and roll, giving a full picture of the rock scene. 75,000 first printing.