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INVENTING WONDERLAND: The Lives and Fantasies of Lewis Carroll, Edward Lear, J.M. Barrie, Kenneth Grahame and A.A. Milne
 
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INVENTING WONDERLAND: The Lives and Fantasies of Lewis Carroll, Edward Lear, J.M. Barrie, Kenneth Grahame and A.A. Milne (Hardcover)

by Jackie Wullschlager (Author)
4.0 out of 5 stars See all reviews (2 customer reviews)


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Editorial Reviews

From Publishers Weekly
In creating Alice's Adventures in Wonderland, girl-obsessed loner Charles Dodgson (Lewis Carroll) achieved a breakthrough in children's literature, a work unparalleled in its freedom of thought and spirit, observes Wullschlager. In her judgment, Edward Lear's fantastical poems celebrate his escape from Victorian narrow-mindedness but also hint at a sense of alienation heightened by his secret homosexuality. Peter Pan?the naughty boy who refuses to grow up?mirrors his creator, James M. Barrie, an "emotional outsider" who idealized his mother, was unable to relate to his wife and compulsively played with other people's children. Frustrated banker Kenneth Grahame poured into The Wind in the Willows his disappointments, fears and hopes, partly reflecting his inability to accept his disabled, semi-blind son Alastair, who committed suicide at 19. For Financial Times feature writer Wullschlager, A.A. Milne's Winnie-the-Pooh series crystallizes the 1920s' desire for escape, light-headedness and nostalgia. A joy to read, the author's delightfully illustrated study revises our understanding of children's literature as a cultural barometer mirroring adult anxieties and aspirations.
Copyright 1995 Reed Business Information, Inc.

Product Description
Beautifully illustrated throughout, Inventing Wonderland gives new insights into the Victorian world and our own modern view of the child, as seen through the lives and fantasies of Lewis Carroll, Edward Lear, J.M. Barrie, Kenneth Grahame, and A.A. Milne. 15 line drawings. of photos.

Product Details

  • Hardcover: 240 pages
  • Publisher: Free Press (February 12, 1996)
  • Language: English
  • ISBN-10: 0684822865
  • ISBN-13: 978-0684822860
  • Product Dimensions: 9.7 x 6.6 x 0.6 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #312,772 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #68 in  Books > Science Fiction & Fantasy > Fantasy > History & Criticism
    #75 in  Books > Literature & Fiction > Books & Reading > History of Books

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Customer Reviews

2 Reviews
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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13 of 15 people found the following review helpful:
4.0 out of 5 stars Those Strange Victorians, July 25, 2002
Victorians are experiencing something of a comeback after decades of censure as the strange, repressed, half-crazy relatives we don't want to tell anyone about. We are discovering that the Victorians were not so different from us.

The Victorians did, however, produce their own brand of eccentricity and none are as delightfully eccentric as the Victorian/Edwardian writers for children discussed in Inventing Wonderland. Jackie Wullschlager starts with that greatest of all Wonderland writers, the master himself Lewis Carroll and ends with Jazz Age Pooh creator A.A. Milne.

The eccentricity of these Victorian writers is their confident, and sometimes troubling, obsession with childhood itself. Wullschlager assures us, correctly, that these writers' obsessions did not cross the line into pedophilic behavior. To 21st century sensibilities this seems scarcely creditable, especially after reading letters by Lewis Carroll to various girl children. Carroll, Lear, Barrie and Grahame's effusions about childhood can only be understood within the context of the Victorian age, the age that produced and adored Wordsworth's overly quoted (then and now) "But trailing clouds of glory do we come/From God, who is our home" (Ode: Intimations of Immortality From Recollections of Early Childhood).

Wullschlager is, I think, a bit too dismissive of Milne, who is regarded in the text as a has-been, clinging to the last remnants of the Victorian celebration of childhood. Wullschlager's overall point in this regard, however, is well made. The Victorians invented and took seriously the concept of childhood as a wonderland. Consequently, they produced children's writers of a truly magnificent stature. When the concept of childhood=innocence & pleasure was abandoned, in the early 20th century (thank you, Freud!), the result was an almost tongue-in-cheek parody of the earlier writers. It just wasn't possible to take childhood that seriously anymore.

Writers for children have of course continued to produce masterpieces, largely in the fantasy area, but that particular brand of unself-conscious Victorian nonsense and idyllicism may be lost forever. The Victorians are not as strange to us as we may like to believe, but they are certainly unreproducable.

Recommendation: Interesting, well-written, well-paced. Not the most complete biographical sketches but a complete analysis of biography and art. Give it a try.

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8 of 10 people found the following review helpful:
4.0 out of 5 stars Very informative and fairly entertaining., February 8, 2004
By Rebecca Lauren "rebeccalauren" (Louisiana, United States) - See all my reviews
As a self-proclaimed James Barrie freak, I've read numerous books and newspaper-magazine articles about him. The Barrie chapter in Inventing Wonderland is definetly one of the most informative, but it loses a few points in the entertainment department. I read the Carroll, Barrie, and Milne chapters and thought that Jackie Wullschlager tends to examine her subjects a little too closely. At times, her meaning becomes lost in a pile of pop psychobabble, but the overall impressions were very clear (especially Carroll's disturbing fixation with little girls). Especially touching were A.A. Milne's bittersweet descriptions of pride in his adult son Christopher Robin, but at the same time longing to play with his little boy just once more. Such nostalgic, personal pieces make the book is beautiful, but it would be about a hundred times more beautiful if the author had kept the stories a little simpler.
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