Making Your Own Days: The Pleasures of Reading and Writing Poetry (Paperback)

by Kenneth Koch (Author) "Poetry is often regarded as a mystery, and in some respects it is one..." (more)
Key Phrases: poetry base, prose sense, sound similarities, West Wind, Black Mountain, Don Juan (more...)

Editorial Reviews

Amazon.com Review
Ordinary mortals and poet scholars alike will find something to love in Koch's down-to-earth approach to making sense of that most head scratching of literary genres. Asserting that "poetry ... is a separate language," he steers clear of the stodgy, hidden-meaning school of deciphering poems (wherein the reader digs through the poem "for some elusive and momentous significance") and takes us instead on a tour through the tonal, rhythmical, and metrical aspects of poetry. Yes, it's about the music: "The sound of words is raised to an importance equal to that of their meaning, and also to the importance of grammar and syntax." But rather than asking us to simply take his word for it, Koch provides lively and insightful examples (including many rarely anthologized poems). For instance, why does "two and two are rather green" have little or no meaning, while "two and two / Are rather blue" smacks of the truth? Why does "I don't know whether or not to commit suicide" plop from the mouth like so much cold oatmeal, while "To be or not to be, that is the question" is so pleasing to the ears? Resonance, says Koch. "Poetry lasts because it gives the ambiguous and ever-changing pleasure of being both a statement and a song."

Moving from poetry's music to its methods (comparisons, personifications, and apostrophe, to name a few), Koch continues to offer up an amusing and edifying array of excerpts and analogies to clarify his point that with poetry, "as with baseball ... one has to understand a little in order to enjoy it...." Insightful, yet never patronizing, Making Your Own Days is for anyone who's ever read a poem and wished it were more "like a newspaper article." Though Koch can't tell us why Wallace Stevens wrote "I placed a jar in Tennessee," or why "So much depends / upon / a red wheel / barrow" (William Carlos Williams), he helps us listen to--and savor--that sometimes bewildering conglomeration of words otherwise known as poetry. --Martha Silano --This text refers to an out of print or unavailable edition of this title.

From Library Journal
Koch, a preeminent American poet and author of two best-selling books on teaching poetry to children, has at last produced a guide for adults. This book is divided into two parts: a series of essays on subjects such as meter, rhyme, and personification and an anthology of favorite poems. Most remarkably, non-English poems often appear with several translations, underscoring the flexibility of poetic language. Making Your Own Days will be most useful to writers already familiar with the basics. However, while some of the playfulness that marked Wishes, Lies and Dreams (HarperCollins, 1980) and Rose, Where Did You Get That Red? (Vintage, 1990) creeps in, the overall tone is that of a lecturer, and Koch covers the same ground as Kim Addonizio and Dorianne Laux's The Poet's Companion: A Guide to the Pleasures of Writing Poetry (LJ 10/15/97), though in a less engaging manner.?David Kirby, Florida State Univ., Tallahassee
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 320 pages
• Publisher: Touchstone (April 8, 1999)
• Language: English
• ISBN-10: 0684824388
• ISBN-13: 978-0684824383
• Product Dimensions: 8.6 x 5.6 x 0.8 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #393,821 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

23 of 23 people found the following review helpful:

5.0 out of 5 stars On Valery's "language within language", October 11, 2000

By	Eileen Galen (USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Extroverted teacher, thinker, humanist, and poet Kenneth Koch has once again contributed a book that is everything its publisher and its reviewers claim. As a teacher - and a famous promoter of poetry, its creation and its creators - he is fun-loving, but also trustworthy. He knows a lot, he is humble and giving, and his goal is that you should know a lot, too. He tells the reader, "Certainly you don't have to be embarrassed by not understanding a poem right away." He succeeds. I took several weeks to read this book. You can't rush through it - it's too rich for that. Half is Koch's tour of poetry. His approach is bracing, stimulating, and calming in turn. It's a course, really, in Koch's approach, which is utterly straightforward, while retaining plenty of respect for language's possibilities for delight, mystery, enchantment, and love.

Kenneth Koch admits on page 281 that he does not always understand W.H. Auden. I appreciated that. This book is especially useful for teachers of poetry. The "Anthology of Poems" that comprises the second half of this wonderful book are each followed by wise, interesting, and fresh commentary by Koch. Definitely worth reading.

9 of 9 people found the following review helpful:

5.0 out of 5 stars 4.7 stars : Something of a gem!, April 4, 2003

By	ceolnoth40 "ceolnoth40" (Massachusetts) - See all my reviews

Am daunted, in the task of writing a review, by the fact that the previous reviewers all got it exactly right! The late Kenneth Koch (1925-2002), whimsical poet, teacher, and enthusiast for the evangel of poetry here gives us a book ideally suited for any poet or reader from high-schooler to nonagenarian.

The first 135 pages of the book are something of an instruction manual, or an explanation of why poetry seems so strange at first. He patiently explains the obvious : sound matters as much as sense; words have musical value; there is a "poetry language" -- or perhaps several poetry languages? -- that we discover through reading anything & everything in sight. He comes up with the happy comparison of poetry as language being put through a synthesizer!

He speaks of the need to build up a "poetry base" through much exposure to the poems of the past and present; he "opens up" the Wallace Stevens poem "Anecdote of the Jar" and makes enchanting a poem that irritated me on previous readings; he makes apposite remarks on revision and inspiration ...

The latter half of the book is a neat -- but not quite comprehensive, as Koch himself admits -- anthology of poetry from across the globe, & encompassing three millennia. From Li Po (Li Bai) to Lorca, from Sappho to Snyder, from Ovid to O'Hara. Senghor and Cesaire are alongside Ashbery and Wallace Stevens. Marvell and Shakespeare, Whitman and Hopkins and several in between, before and after. Most of the poems are suffixed by a comment by Koch of less than a page (except for Keats's "Bright Star" which he allows to shine by itself!). Especially good, I thought, his brief note on the sonnet by George Herbert, "Prayer," which I have been trying of late to memorize.

Excellent reading for the train, the waiting room, the bed, or whatever region of the house you call your workshop or study!!

11 of 12 people found the following review helpful:

5.0 out of 5 stars the best of it's kind, March 13, 1999

By	[e-mail] (Dallas, Tx.) - See all my reviews

This review is from: MAKING YOUR OWN DAYS: THE PLEASURES OF READING AND WRITING POETRY (Hardcover)

this a wonderful book... an absolute must-have for lovers of poetry... especially for those who need permission to not "get it" the first or second time reading through a poem. koch's passion will rub off on you as well, as your appreciation for the music of poetry deepens... get it now!