Amazon.com Review
He didn't begin writing fiction until he was almost 36 years old, with a mediocre track record in school, the army, and business. But once Edgar Rice Burroughs (1875-1950) found his calling, it took him barely six months to produce one of the most enduring characters in popular culture. Tarzan of the Apes was a smash hit all around--in the pulp magazine where he first appeared, in book form, and eventually in a series of movies. As in
his previous book about "America's Cowboy Artist" Charles M. Russell, Texas-based journalist Taliaferro displays a healthy appreciation for the work of a mass entertainer without making exaggerated claims for its artistic merits. The biographer also knowledgeably describes the publishing environment in which Burroughs operated, showing how the managerial skills the author acquired in a long string of boring jobs helped him squeeze every nickel out of his literary creations. This all-American moxie linked Chicago-born Burroughs to his readers, who also shared his fascination with exotic places (from Africa to Mars), heroes distinguished by brawn and brains, and heroines as scantily clad as possible. While the text capably chronicles Burroughs's personal affairs, Taliaferro sensibly keeps his focus on the fascinating role the Tarzan creator played in our collective fantasy life and in the development of commercial culture.
--Wendy Smith
From Publishers Weekly
Burroughs (1875-1950), the prolific pulp novelist whose Tarzan saga unfolded in adventure tales and movies, sold 60 million books during his lifetime, making him the bestselling American author of the first half of this century. While Taliaferro, former L.A. bureau chief at Newsweek, acknowledges the mediocrity of Burroughs's fiction, and fully exposes the pulp writer's racism and outlandish political beliefs, this low-key bio is also a compelling case study of the mushrooming of popular culture. In 1923, the one-time pencil-sharpener salesman became one of the first writers to incorporate, overseeing an empire encompassing story syndication, ranching and real estate. He struck lucrative deals to turn his lord-of-the-apes yarns into motion pictures, plays, a radio show and a daily comic strip. He also licensed Tarzan statuettes, Tarzan ice cream and Tarzan board games. Burroughs emerges as a predecessor of Walt Disney, whose life often seems as improbable as his fantastical plots. A frequent school dropout, rejected by the Rough Riders in 1898, he took a string of dreary jobs and failed in two marriages, finally turning to writing in his mid-30s. A rabid eugenicist, he advocated sterilization of "instinctive criminals" as well as "defectives and incompetents." He "never set foot in Africa," according to Taliaferro, but at age 66, he traversed the Pacific as the oldest American correspondent to cover WWII. Taliaferro convincingly portrays the adventure novelist as a vain workaholic who lived beyond his means and kept churning out material to finance his tastes for cars, thoroughbreds and even an airplane of his own. Despite the myriad poor films and imitators Burroughs inspired, Tarzan lives on, and his fans will find this entertaining, warts-and-all bio irresistible. Photos.
Copyright 1999 Reed Business Information, Inc.
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