Amazon.com Review
Fitzpatrick wastes no time making his point in this fertile and compelling story of perhaps the most important college basketball game ever played: "What a piece of history," Arkansas basketball coach Nolan Richardson exclaims in an opening quote. "If basketball ever took a turn, that was it."
Richardson may be underestimating. The 1966 NCAA championship final between the heavily favored, all-white University of Kentucky, and the "No Names from Nowhere" all-black starting five of upstart Texas Western (now the University of Texas-El Paso) was a sporting insurrection in a time of social chaos and upheaval. Played out in black and white, everything about this David-and-Goliath confrontation was washed in complex and layered shades of gray.
Through strong interviews and contemporary accounts, Fitzpatrick builds toward the ineffable climax, recreated in spirited detail, on a Saturday night in Maryland. He lays his foundation with a contextual chronicle of the turbulent times, emphasizing the importance of white basketball to Kentucky's image of itself. He lays up strong profiles of the universities, their hoop traditions, the players, and the two extraordinary coaches who led them--the Miners' rumpled tactician, Don Haskins, and the Kentucky squire, Adolph Rupp, whose legend is sadly choked by his racist roots.
"No one has ever studied the effect Texas Western's victory had on integration, nor would such a thing be entirely measurable," Fitzpatrick observes, but it was nevertheless unmistakable. "The number of black athletes at major colleges surged immediately afterward ... and basketball, which had always been linked with sweet-shooting country boys from places like Indiana and Kentucky, became the 'City Game.'" And for young blacks in America, the accomplishment provided something beyond a national title; it held out a hint of hope. Walls' ultimate achievement--by no means a small one--is not letting us forget that. --Jeff Silverman
From Kirkus Reviews
An admirably researched account of the barrier-shattering championship game that slam-dunked segregated college basketball. Outside of Jackie Robinson's baseball debut, perhaps no single sporting event had so profound a social effect as the 1966 NCAA basketball championship. The competitors were the upstart Texas Western (now University of Texas, El Paso) Miners and an established power, the University of Kentucky Wildcats. More than a battle between teams, however, the game pitted two ways of life. The Miners fielded their five best players, who also happened to be African-American; it was basketballs first all-black starting roster. The Wildcats, coached by Adolph Rupp (whom the author compares to the infamous Birmingham, Ala., police chief Bull Connor), were defiantly all-white. Philadelphia Inquirer sportswriter Fitzpatrick balances present-day interviews with the former players and surviving coaches with contemporaneous accounts to expose the sporting fraternity's subtle and not-so-subtle biases. Texas Western fielded a roster of formidable athletes whose brand of basketball was predicated on fundamentalssmarts, stifling defense, superior conditioning, and intimidationnot on the undisciplined, high-flying ``playground'' game then associated with black athletes (a misperception Fitzpatrick addresses throughout the book). Nevertheless, sportswriters and coaches across the nation dismissed the team's chances, assuming that they would fold under pressure (another persistent clich about black athletes). Defying stereotypes and shrugging off tremendous stress, the Miners controlled the game and won; it was the Wildcats who were flummoxed. The games ``message'' was lost on Rupp, who, despite a loss that would haunt him to his grave, remained steadfast in his defense of racial segregation and held out against recruiting black players until the 1970s. Although Rupp has his apologistssome of his former players try to soft-pedal his interdict on nonwhite playershe comes across as a small-minded bigot who set race relations in Kentucky back several years, if not decades. Fair but devastating in its portrait of persistent prejudice, this is a landmark account of a landmark event. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
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