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Editorial Reviews
Amazon.com
Since the publication of its first issue in 1992, Ray Gun has set the perimeters of the cutting edge in publishing. Abandoning such conventions as headlines, columns, and even page numbers, the alternative rock-and-roll magazine created a chaotic, abstract style that broke all the rules, clearing the way for a slew of fringe magazines devoted as much to style as to substance. This self-consciously hip, unconventional approach soon emerged on album covers, concert posters, and MTV, signaling the birth of a bona fide movement. The same irreverent approach to production is applied to Ray Gun: Out of Control, forcing you to wade through a maze of random graphics and typefaces to unearth the articles and essays. The search is half the fun, though, as the pieces are enough to capture your interest, even against the backdrop of so much graphic noise.
The New York Times Book Review, Steven Heller
This book ... looks more like a collection of printers' errors than a book. And although the graphics are punctuated by interesting essays on the magazine's brief history, they are lost amid the confusing morass of type and image.... this assemblage is more confusing than outrageous.
See all Editorial Reviews
Since the publication of its first issue in 1992, Ray Gun has set the perimeters of the cutting edge in publishing. Abandoning such conventions as headlines, columns, and even page numbers, the alternative rock-and-roll magazine created a chaotic, abstract style that broke all the rules, clearing the way for a slew of fringe magazines devoted as much to style as to substance. This self-consciously hip, unconventional approach soon emerged on album covers, concert posters, and MTV, signaling the birth of a bona fide movement. The same irreverent approach to production is applied to Ray Gun: Out of Control, forcing you to wade through a maze of random graphics and typefaces to unearth the articles and essays. The search is half the fun, though, as the pieces are enough to capture your interest, even against the backdrop of so much graphic noise.
The New York Times Book Review, Steven Heller
This book ... looks more like a collection of printers' errors than a book. And although the graphics are punctuated by interesting essays on the magazine's brief history, they are lost amid the confusing morass of type and image.... this assemblage is more confusing than outrageous.
See all Editorial Reviews
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