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10 of 10 people found the following review helpful:
4.0 out of 5 stars
The Way It Began, May 15, 2002
4.5 stars, really, I wish there were more examples of his work.I am one of those people who loved the Marvel Age of Comics. While many people say they read Spider-Man, the Hulk or the Fantastic Four, even as a kid in the sixties, I would say I read Stan Lee, Jack Kirby and Steve Ditko...and a few others. When they left, I left. Though the years I had heard about and read about many behind the scenes stories about Marvel. It was hard to give credence to many of them and I always wanted to find out Stan Lee's story. Here it is. Here Stan Lee tells his story. And what an enjoyable story it is. Mr. Lee tells of his early years, his years in the service during WW2, how he meet his wife and how he started working for Martin Goodman, owner of Timely (later Marvel) Comics. The major part of the story is the creation of the Marvel Age of Comics. Stan Lee, born Stan Lieber, describes how he almost left the occupation of writing comic books. An occupation that was not well respected. But Stan stayed and broke the conventions of book characters. Stan discusses such stories, how he "snuck" his first Spider-Man story into Amazing Fantasy #15 after the publisher turned it down. We learn what was in his mind when he created the Fantastic Four, Hulk, and Thor. For me the most important parts involved the Marvel Method of creating comics and his relationships with Jack Kirby and Steve Ditko. For years I have heard stories that, frankly, cast Mr. Lee in a bad light. Here, Stan Lee describes how he came up with the character of Spider-man and, at first, gave it to Jack Kirby to draw. Dissatisfied with Kirby's take, Stan turned it over to Steve Ditko. Stan goes out of his way to give co-creative credit to the artist. But Ditko though that Stan just came up with an idea and that he, Ditko, came up with project. I also learned that Jack Kirby was offered administrative positions at Marvel, but turned it down. A reality to me is that nothing Lee, Kirby and Ditko produced separately equals what they did in partnership for those ten years. If you are a fan of the Marvel age, this book is a must read. I couldn't put it down. The parts that are not about Marvel are still entertaining and Mr. Lee does not dwell on anything for too long a time. `Nuff said
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Stan "the Man" Lee takes time to tell the story of his life, September 28, 2002
"Excelsior! The Amazing Life of Stan Lee" has a cover with Lee surrounded by some of his famous Marvel comics creations (or co-creations depending on where you stand on the whole Lee/Kirby debate), but you may be surprised and/or dismayed to find that only six of the twenty-one chapters are devoted to the glory years at Marvel. Much of what is contained within Lee has talked about before, which means that by now the stories of how the Fantastic Four, Spider-Man, the X-Men and the rest came to be born have been refined and polished to the point you really wish he would provide more of the details. "Excelsior!" starts from Lee's childhood in Manhattan to those early days when he stumbled into writing comic books, his work as a "playwright" in World War II, and then through the rise of the Marvel empire and beyond. The focus of the book is on the narrative recollections of Lee and if you have ever had an opportunity to hear Stan "The Man" Lee do a lecture or speak at a convention, then you are familiar with his conversational style (I liked it when Stan would pretend to be Clark Kent, take off his glasses and have people wondering where Clark went--plus, the man's autograph is always legible). One thing that struck me was how much Lee was affected by the Great Depression, especially since he often laments over the value of the comic books he created but never bothered to collect. Yet it is also clear that Lee is not driven by money but more by love of family and work, two subjects he talks about with equal passion. He does take pains to try and address the issues of his infamous rifts with artists Jack Kirby and Steve Ditko, and whether you believe his side of the story or not he certainly bears no animosity towards either man. There is no denying that Lee was a self-promoter of the first order, but he certainly tried to take along everybody else in the Marvel Bullpen and it is equally clear that Kirby and Ditko were not especially outgoing types. George Mair provides a more objective view of Lee's life with historical facts and critical insights in his portions of "Excelsior!" which frame the lengthier excerpts from Lee. Mair is especially good when he points out how some example from the early year's of Lee's career translated into a principle he applied while running Marvel. Ultimately, Mair makes the case that Lee "created a new mythology for the twentieth century" by putting "the human in the superhuman." I rather like this approach, which allows a subject to tell their story in their own words and also provides a way for biographical assessments by another party. The book is illustrated with mostly family photographs, although rather sparsely at times, especially during the Marvel days. I do not know if readers of Marvel Comics who came to Spider-Man and the rest after Lee's tenure as writer/editor will be as interested in this as us old-timers, but I would think Lee's stories about how comics changed would be worth reading. His chapter on "Seduction of the Gullible," dealing with the efforts of Dr. Frederic Wertham that resulted in the creation of the Comics Code, provides a much different perspective on those times than you get from reading Bill Gaines's thoughts on it all. This is by no means a major look at the life and work of Stan Lee, but it does have its shares of worthwhile insights. `Nuff Said.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
A frequently hilarious look at the life of a creative titan., May 8, 2002
Stan Lee, the world's most well-known comic book writer, is truly one of the most inventive minds of the 20th century (and shows every sign of being so in the 21st!). And now, at last, we get a look into what shaped that inventive mind into the force it is today."Excelsior!" is peppered with Stan's trademark wit as he relates humorous stories and anecdotes from his life, such as the way he single-handedly won World War II. Sandwiched inbetween are factual paragraphs by George Mair, professional biographer. Mair is quick and to the point, knowing that what readers really want is more of Stan (it's almost impossible to refer to him by his last name), so he gets the facts out there and then he gets out of the way as fast as he can. Very professional. This is a must-read for any comic book fan, anyone who wants to see how a "bio-autography" (as Stan calls them) should be written, or for anyone who's just looking for an amusing tale of a creative genius's life. Highly recommended!
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