From Publishers Weekly
Hold on to your hats-there's never a dull moment when Fleischman (The Whipping Boy) is at the helm. A rollicking ride, this tale by the Newbery Medalist casts off into comic adventure with the young orphan Buddy, his lawyer sister, and a magical elevator that whisks them 300 years into the past. Fleischman deftly juggles several equally entertaining story lines, one involving a pirate ship and a hidden treasure, another focused on a 10-year-old girl accused of witchcraft in Puritan Boston, and a third revolving around Buddy and his sister's present-day struggle to pay off their recently deceased parents' debts and keep the family home. Liberally laced with dry wit and thoroughly satisfying-in Fleischman's world, villains always get their just deserts and endings are as happy as they are unexpected-readers could hardly ask for more. Ages 8-up.
Copyright 1995 Reed Business Information, Inc.
From School Library Journal
Grade 4-6?Recently orphaned Buddy Stebbins, 12, is in the care of his sister, Liz, a young attorney. Faced with the prospect of selling the family home to pay off their parents' debts, Buddy calls on an ancestor, Captain Crackstone, rumored to be a pirate, for assistance. In response, a plea for help from the 17th century arrives from another descendant, Abigail Parsons, who is about to be tried for witchcraft at age 10. Independently, Buddy and Liz find their ways back to 1692 Massachussets to join forces with their forebears. This rollicking time-travel adventure requires a willing suspension of disbelief on the part of the characters as well as readers. Thrust into scenes of piracy and witchcraft hysteria respectively, Buddy and Liz experience the most dramatic and fascinating aspects of life at that time. Fleischman's characteristic flair for compelling action, lively dialogue, authentic details, and humorous elements are all present here, resulting in a thoroughly entertaining page turner. However, Buddy's 20th-century mannerisms and dress, including glow-in-the-dark shoelaces, are almost uniformly accepted after his initial appearance. Liz, for all her cleverness, foolishly refers to upcoming events in Salem, which casts suspicion of witchcraft upon her. Still, the rambunctious events aboard the ship and the tension of the trial will engage readers. The tidy ending is satisfying, containing enough irony to avoid predictability. An author's note eloquently and articulately explains the historical context of the setting.?Starr LaTronica, Berkeley Public Library, CA
Copyright 1995 Reed Business Information, Inc.
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