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Editorial Reviews
From Publishers Weekly
In a series of quilted designs worthy of exhibition, Hines (My Own Big Bed) illustrates the theme of this deceptively simple, unique collection of poems: "Pieces of the seasons/ appear and disappear/ in a patchwork pattern/ making up a year." Her language, both playful and adroit, allows readers to see familiar seasonal changes anew. "Good Heavens," for instance, depicts a spring lawn as "astronomical/ with dandelion blooms" that fill the green sky with "a thousand suns/ and then/ a thousand moons." Hines varies her quilt designs as often as she varies her poems' rhythm and rhyme schemes. In one of the longer poems, "Do You Know Green?," the words trickle down the page, much like the light that filters through the trees in the accompanying quilt; both the poem's construction and the long vertical tree trunks emphasize the forest's height and grandeur. Meanwhile, abstract quilts like the one featuring hundreds of flowered squares in "Misplaced?" stress frivolity--in this case, a joke involving a flowerbed where "bloomers are not sleepyheads." An appendix explains Hines's meticulous quilting process. Wearing two hats, Hines takes her quilter's stash of fabric swatches and her wordsmith's metaphors for memories of the seasons, and pieces together a unified, artistic whole. An outstanding book for aspiring quilters or anyone at all. Ages 5-up.
From School Library Journal
Grade 1-4-Hines has illustrated her mostly free-verse poems about the seasons with quilts. The selections, which describe weather, gardens, and animals, are set against her patchwork designs. The fabric art, done in a broad range of colors, are mostly representational, picturing animals and landscapes. While a few are striking, those that depend on a fabric's print or the quilting pattern come across flatly in reproduction. The poems are nicely descriptive, but not distinguished. The most interesting part for readers may be the two pages at the end that describe the quilting process, with a short bibliography. The quilts in the book are Hines's first, and took her several years to complete. They will certainly inspire young quilters or artists to try something similar, but as a collection of illustrated poems, Pieces fails to stand out.
Nina Lindsay, Oakland Public Library, CA
Copyright 2001 Reed Business Information, Inc.
See all Editorial Reviews
In a series of quilted designs worthy of exhibition, Hines (My Own Big Bed) illustrates the theme of this deceptively simple, unique collection of poems: "Pieces of the seasons/ appear and disappear/ in a patchwork pattern/ making up a year." Her language, both playful and adroit, allows readers to see familiar seasonal changes anew. "Good Heavens," for instance, depicts a spring lawn as "astronomical/ with dandelion blooms" that fill the green sky with "a thousand suns/ and then/ a thousand moons." Hines varies her quilt designs as often as she varies her poems' rhythm and rhyme schemes. In one of the longer poems, "Do You Know Green?," the words trickle down the page, much like the light that filters through the trees in the accompanying quilt; both the poem's construction and the long vertical tree trunks emphasize the forest's height and grandeur. Meanwhile, abstract quilts like the one featuring hundreds of flowered squares in "Misplaced?" stress frivolity--in this case, a joke involving a flowerbed where "bloomers are not sleepyheads." An appendix explains Hines's meticulous quilting process. Wearing two hats, Hines takes her quilter's stash of fabric swatches and her wordsmith's metaphors for memories of the seasons, and pieces together a unified, artistic whole. An outstanding book for aspiring quilters or anyone at all. Ages 5-up.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Grade 1-4-Hines has illustrated her mostly free-verse poems about the seasons with quilts. The selections, which describe weather, gardens, and animals, are set against her patchwork designs. The fabric art, done in a broad range of colors, are mostly representational, picturing animals and landscapes. While a few are striking, those that depend on a fabric's print or the quilting pattern come across flatly in reproduction. The poems are nicely descriptive, but not distinguished. The most interesting part for readers may be the two pages at the end that describe the quilting process, with a short bibliography. The quilts in the book are Hines's first, and took her several years to complete. They will certainly inspire young quilters or artists to try something similar, but as a collection of illustrated poems, Pieces fails to stand out.
Nina Lindsay, Oakland Public Library, CA
Copyright 2001 Reed Business Information, Inc.
See all Editorial Reviews
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