From School Library Journal
Kindergarten-Grade 3. Hobbs explores the relationship between a young boy and a bear in his first picture book, a theme he has pursued in his novels for older children. In early spring, Short Tail, a young Ute, is concerned because no one has seen the Great Bear. He is worried that the animal will starve and goes to find him. But the boy tires and sleeps; in a dream he finds the Great Bear and wakes him. The creature appreciates Short Tail's respect and shares with him the annual bear dance, which celebrates the end of winter. The child in turn teaches the dance to his people. This layered tale, which is based on a Ute story, is respectfully told, but it may be confusing for readers, and the art doesn't clarify matters. Kastner's oils are often impressive; dark, soft-edged, with large figures set against mountain landscapes. In several of the dream spreads, images of the dreamer (bear or human) are incorporated into the landscape, but they are not set far enough apart. In some scenes it's not obvious which character is Short Tail. The primary focus of the story is also not clear: Is it the survival of the Great Bear, Short Tail's relationship with it, the end of winter, Short Tail's bravery, or the teaching of the dance?or all of the above. Discussion will be helpful.?Leda Schubert, Vermont Department of Education, Montpelier
Copyright 1997 Reed Business Information, Inc.
From Booklist
Ages 6^-9. As spring comes to the mountains, a great bear remains sleeping. His absence is noted, and village people worry that the grandfather bear has not survived the winter. So great is the concern that one young boy from the village climbs high into the mountains to look for the bear. Exhausted by the climb, the boy dreams of finding and waking the bear. Together boy and bear join other bears dancing "to the rhythm of thunder." It is this dance that the boy later teaches his people. Hobbs' fictionalized version of the traditional Ute bear dance story is enhanced by the large picture-book format featuring Kastner's double-spread oil paintings, in which the illustrator cues the dream sequences, subtly exposing the bear and the boy as part of the landscape. Kastner's evocative dance scenes add a fine note of drama to the story.
Karen Morgan
See all Editorial Reviews