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6 of 6 people found the following review helpful:
5.0 out of 5 stars
A Young Girl Helps Force America to Grow Up, February 19, 2000
"EVERYTHING reminds me of Auschwitz," says Pesel 'Tante' Minkowitz, a 24-year-old Holocaust survivor living with American relatives in the 1950s South. So when a rock crashes through the picture window of her brother-in-law's business, it's only natural that the gloomy Tante predicts another Kristallnacht. And, as told by Sybil Rosen in SPEED OF LIGHT, she's not far wrong. The Civil Rights Movement is dawning. Eleven-year-old Audrey Ina Stern, living with Tante in Blue Gap, Virginia, is hearing vague reports of a bus boycott in Montgomery, Alabama (led by some Reverend named King). Meanwhile, Audrey's father, Nat Stern, is spearheading the struggle to integrate the local police department. And many of Blue Gap's citizens are not happy. After all, how does this Jew DARE to tell THEM how things ought to be? From these elements, Rosen weaves a tale of fear, courage, perserverence, and power, culminating in a climax set during a 4th of July parade. Along the way, she artfully makes connections between the Holocaust and Segregation, even managing to sprinkle in a little Einstein. SPEED OF LIGHT follows the time-honored tradition of showing significant events through a child's eyes (as in TO KILL A MOCKINGBIRD). In this way, the reader discovers the depth of hatred and prejudice right along with Audrey. In doing so, Rosen is able to show just how Audrey comes to grips with not only the injustice of Segregation, but the history of the Holocaust (and the moody aunt who embodies it) as well. That the book ends happily is not a strike against it; rather, it is a song of hope. The characters are well sketched. Audrey has the spunk and intelligence you might expect in a book of this sort. Her father is reluctantly heroic. The Cardwells (the African-American family at the center of the controversy) are figures of dignity and worth, schooled in nonviolence. Even the racist Buster LaCoste is painted in human colors. But the haunted Tante is the character who stays with you. Angry and pessimistic, sarcastic and fearful, her breakdown and her reconnection with humanity are the most poignant things in the book. Along the way, there are threats and bombs, beatings and fires. Rocks and insults are thrown, and Audrey's little brother is almost drowned. Rosen refuses to look away from the raw emotion of hate. But there are also flowers and dolls and beautiful stars, the mysteries of life and death, and of growing up. In these things, too, Rosen shines; in these things, too, SPEED OF LIGHT recommends itself as a coming-of-age novel for the ages.
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