From Publishers Weekly
Cooper (The Dark Is Rising) introduces the protagonist's predicament in this amiable tale in the first three spreads, with one brief line of text each: "Little Joe couldn't swim. His sister and brother swam like fishes. His mom swam like a powerboat." Joe, however, can only splash about and spends most of his time watching from the edge of the swimming pool. Then one day a frog hops into the pool, and Joe observes it as it swims around and struggles to climb back out. Cooper's text combined with realistic illustrations keep the amphibian true to its nature. While the rest of the family makes a big commotion as each tries to catch the little green visitor, it's quiet Joe who comes to its aid. Rescuer and rescuee share a moment at the pool's edge ("Frog and Little Jo looked at each other,... `Go home, Frog. Go home where it's safe' "). British artist Browne (who, incidentally, is married to artist Anthony Browne) then shows a full-bleed painting of the frog returning to its idyllic environs. Joe tries swimming again, applying his observations of the frog, and makes it across the pool. Simply framed, Cooper's story will fortify any child who's ever been uncertain around the water, and the added thread of interaction between boy and frog enriches the tale. Browne's watercolors in soothing and appropriately watery shades of blue and green, alternate full-page paintings with tightly focused vignettes that quietly build to a climax. Ages 4-7.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
reSchool-Grade 2-His mother swims "like a powerboat" and his siblings move through the water like fish. Little Joe, however, cannot swim at all. But one day a small frog hops into the pool from its nearby pond, and the child spends time observing the way it kicks its strong back legs. After the various family members' failed attempts to capture it, he climbs into the pool, cups the frightened creature in his hand, and releases it to its own habitat. Then "he kicked with his legs, and he swam all the way across the pool, just like Frog." This story of triumph over a difficult task is told briefly and simply from the child's vantage point. Watery endpapers usher in watercolor scenes of a family enjoying their pool on a hot day. Frog's desperate attempts to climb out are depicted in repeated illustrations of the animal in different positions, and the close-up of frog and boy reveals their special bond. However, Little Joe's swim across the pool happens so quickly that it strains credibility. Jonathan London's character in Froggy Learns to Swim (Viking, 1995) needs much more help and may strike a more sympathetic note with young readers.
Marianne Saccardi, Norwalk Community College, CTCopyright 2002 Cahners Business Information, Inc.
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