Review
[These volumes] reproduce, plate by plate, Blake's hand-lettered verses and colored illustrations. . . . These illuminated books, masterpieces of the book-maker's art, answer critical questions, especially about the poet's late, recondite allegories. They remind the poetry scholar that his Blake was first a visual artist, indebted to Raphael and Michelangelo, and second a writer beholden to Spenser and Milton. . . . --
Review
Review
[Blake's] illuminated books, parables of earthly life, were peopled with fanciful creatures drawn from an elaborate invented mythology. Blake published these works himself, but his ambition to reach a wide audience was never realized. Now the William Blake Trust, in association with Princeton University Press, has initiated a five-volume facsimile series. . . . The first two volumes . . . are now available. Produced with meticulous care, each has a brief introduction. Each volume also contains exquisite reproductions of the original plates, a new transcription of Blake's text and scholarly but accessible plate-by-plate commentaries.
(
Andrea Barnet The New York Times Book Review )
The color printing is exceptional.
(
Lewis Segal The Los Angeles Times Book Review )
In every way this initial release is a triumph. The exquisite images and a lucid text of each volume endow not just Blake's work, but the relationships between word and image, with a crystalline clarity.
(
Eric Gibson The Washington Times )
[These volumes] reproduce, plate by plate, Blake's hand-lettered verses and colored illustrations. . . . These illuminated books, masterpieces of the book-maker's art, answer critical questions, especially about the poet's late, recondite allegories. They remind the poetry scholar that his Blake was first a visual artist, indebted to Raphael and Michelangelo, and second a writer beholden to Spenser and Milton. . . .
(
New Criterion )
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