The Art of the Pre-Raphaelites (Hardcover)

~ (Author)

Editorial Reviews

From Booklist

As Prettejohn notes, so much has been written on those mid-nineteenth-century English art radicals, the Pre-Raphaelites, that some bookstores have separate sections to accommodate all the tomes about them. How could anything exciting remain to be said about them? Well, for many art lovers, what Prettejohn says will be pretty intriguing. She takes the extreme reactions to Pre-Raphaelite painting, then and now, seriously; looks again and more thoroughly at the meticulous realism, even lighting, clashing colors, and multiple foci in their paintings; and suggests a new story about the development of modern art, from Pre-Raphaelitism to symbolism to surrealism to pop art to postmodernism. If that doesn't pique art book readers' interest, perhaps Prettejohn's attention to the female Pre-Raphaelites, or her consideration of gender and sexuality in Pre-Raphaelite art, or the luscious reproductions of virtually all the famous and many lesser-known but entrancing Pre-Raphaelite masterpieces will. Art libraries, consider this book essential. Ray Olson
Copyright © American Library Association. All rights reserved

Review

Suggests a new story about the development of modern art... [with] luscious reproductions. -- Booklist

The author argues that Pre-Raphaelite art requires long, close scrutiny. Her book equally merits lingering and absorbing attention. -- ForeWord

The first combined study of these artists to appear in 15 years. . . . Highly recommended. -- Library Journal

The first combined study of these artists to appear in 15 years. . . . Highly recommended. -- Library Journal

See all Editorial Reviews

Product Details

• Hardcover: 304 pages
• Publisher: Princeton University Press; 1st Edition. edition (November 15, 2000)
• Language: English
• ISBN-10: 0691070571
• ISBN-13: 978-0691070575
• Product Dimensions: 11 x 8.7 x 1.1 inches
• Shipping Weight: 2.8 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
• Amazon.com Sales Rank: #617,880 in Books (See Bestsellers in Books)

  Popular in this category: (What's this?)

  #8 in

  Books > Arts & Photography > Schools, Periods & Styles > Pre-Raphaelite

Customer Reviews

Most Helpful Customer Reviews

24 of 26 people found the following review helpful:

5.0 out of 5 stars Worthy addition to any art lover's library, January 4, 2001

By	Lesley West (St James, Western Australia) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

This is a beautifully presented book, with ample glossy pictures on good quality paper, and intelligent comment on the artists and the art. In addition it gives the reader some good background of the times and lives of these wonderful artists.

For a long time Pre-Raphaelite art was dismissed as "ktchy" and sentimental, but even a quick perusal of this book will show you images you recognise and have probably long admired.

It is a lovely book, both a worthy addition to any coffee table collection and also for any well stocked reference library.

30 of 34 people found the following review helpful:

4.0 out of 5 stars A Beautiful Book, July 22, 2002

By	Katherine Woodbury "Woody" (Portland, ME) - See all my reviews (REAL NAME)

The Pre-Raphaelites are one of the oddest and most English groups of artists from the Victorian/Impressionist age. The Art of the Pre-Raphaelites by Elizabeth Prettejohn helped me to understand the motives of the artists concerned (why pre-Raphael as opposed to pre-anyone else?) and their connection to the overall styles of art during the mid-1800s (both in England and abroad). The book is well-written and beautifully illustrated, containing one of the most complete sets of Pre-Raphaelite paintings I've seen in an art book.

Ms Prettejohn does a noble job of defending Pre-Raphaelite art and as a devotee I have no real argument with her position. Nevertheless, I'm not sure I believe that non-appreciation of Pre-Raphaelite art is due only to the heirarchy of Western Art (i.e. it is "politically correct" to prefer Monet to Hunt). It is possible that the Pre-Raphaelites were . . . well . . . just not as good as their Impressionist neighbors. I'm not an Impressionist fan myself. On the other hand, I LIKE Raphael.

Whether or not the Pre-Raphaelites are good or great or master painters, they deserve thorough study. This Ms Prettejohn has accomplished.

Recommendation: It's beautiful. Buy it, especially if you a Pre-Raphaelite devotee.

12 of 12 people found the following review helpful:

4.0 out of 5 stars Pre-Raphaelites - a Modern Movement?, April 1, 2006

By	Jill M. Pease "passion for art" (Fair Oaks, CA USA) - See all my reviews (REAL NAME)

Elizabeth Prettejohn introduces her thesis in the Prologue and continues to weave it throughout her sumptuously illustrated "The Art of the Pre-Raphaelites." It is her contention that Pre-Raphaelite art should not be dismissed from the history of modern art but should constitute one of the legitimate modern art movements, equal to those developed in France. She designates several criteria to support her thesis, one of them being originality. The minutely detailed paintings of the Pre-Raphaelites convey a definite "truth to nature," as if the artist had observed in nature these particular details. For example, the unique clump of reeds in Millais' "Ophelia" of 1851-52 appears to have been viewed exactly as it is shown in the painting. This very specific detail was new in English painting and broke with previous tradition. This sense of originality or breaking with tradition is what the Pre-Raphaelites shared with the French Impressionists.

In addition, the author gives a rich history of the artists and their art and includes the art created by the female Pre-Raphaelite artists in the first part of the book, "Stories of Pre-Raphaelitism." The second part, "Studies in Pre-Raphaelitism" discusses recent research in such subjects as technique, Pre-Raphaelite realism, gender and sexuality, and contexts for Pre-Raphaelitism. The book is articulately written and free from the erudite jargon of art history. It is a book that will inform and delight both the general reader and the informed art historian.