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127 of 135 people found the following review helpful:
5.0 out of 5 stars
Splendid re-telling of a true story of triumph amid tragedy., September 12, 1998
I purchased this book while in London recently under its British title THE SURGEON OF CROWTHORNE. Apparently for American readers, the publishers felt it necessary to "tart up" the title to THE PROFESSOR AND THE MADMAN. Regardless, Simon Winchester's story between the covers is splendidly told, without sensationalising even the most horrific details, revealed matter of factly well into the book. The story is that of Dr. Minor - an American Civil War surgeon - who went mad amid the horrors of "The Wilderness." Pursued by his nightly demons, he later wound up in grim South London where he shot dead a totally innocent man. Sent to Broadmoor - a sprawling lunatic asylum near London - he became one of the most valuable contributors to the compilation of the magisterial Oxford English Dictionary. Winchester recounts - correcting but not spoiling a wonderful story - the meeting between the OED's legendary James Murray and his reclusive contributor. While ultimately Dr Minor's story is a tragic one - not the least for his hapless victim - it is also a tribute to the persistence of the human mind. Cleverly presented with appropriate OED citings, this book is not to be missed for anyone interested in words. If you'll excuse the expression, this is the "definitive" work.
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62 of 71 people found the following review helpful:
4.0 out of 5 stars
Fine book that needs an index, March 3, 2001
For those who love words and reference books, this is a well-told yarn. Being the story of the relationship between one William Minor, a doctor and convicted lunatic suffering from paranoia, and James Murray, editor of the Oxford English Dictionary, there is much more right with the book than wrong, but it does have some problems, primarily the lack of an index. Any book with so many names should have an index.Secondly, one wishes to see and hear more -- the author refers to several interesting photographs: a formal farewell photo of Minor near the end of his life, returning to America after 37 years in England (all but one spent in Broadmoor Asylum for the Criminally Insane); the last photo of Murray, a fortnight before his death, in the Scriptorium (where the OED was compiled) surrounded by his daughters and staff. It would have been nice to see these pictures. The author refers several times to Minor's handwriting and many times to his letters. It would have added to the story to see at least a few letters in full, and particularly to have seen a sample of Minor's writing. In addition, Winchester credits the motivation for the creation of the OED to an address by Richard Trench, in which Trench delineates seven ways that dictionaries of the time were deficient, but then states that "most of them are technical and should not concern us here"! I think people interested in this book *would* most likely be interested in these technical details. If nothing else, they should be put in a (foot)note. Finally, although the tale is generally well told and an enjoyable read, the author occasionally hits a false note which a reader may find jarring; for instance, in describing Minor's post-trial delivery to the asylum, Winchester states that "the horses were sweating slightly as they hauled the four-wheel vehicle and its occupants up the low sandstone hill at the top of which stands Broadmoor itself." Oh really. Nice touch of drama, but disconcerting when so much else is related without imaginary flourishes. Similarly, Winchester conjectures that a hypothetical event may have led to Minor's autopeotomy, though there is no reason at all to believe such an event occurred. Having listed these flaws, one is obligated also to acknowledge the author's successes. In addition to an engaging style in service to an interesting tale, there is a charming author's note, an acknowledgments section actually worth reading, and a touching dedication (fleshed out in the text) to G.M. -- George Merrett, Minor's murder victim, who left behind a pregnant wife with seven children and who rests in an unmarked grave. I recommend the book. An example of fine historical writing, it humanizes a remarkable literary achievement. But it needs an (in' dex)!!
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18 of 18 people found the following review helpful:
3.0 out of 5 stars
Interesting and well-researched, but a bit melodramatic, September 14, 2000
James Murray, the editor of the Oxford English Dictionary, corresponded with Dr. W.C. Minor for many years; Dr. Minor was one of the most indefatigable contributors to the OED. Minor was committed to an Broadmoor asylum in 1872, having murdered an innocent man. Nowadays we would call him a paranoid schizophrenic; in those days they just called him insane.In the asylum he had plenty of time to locate and submit thousands of usage slips to the OED, and thus began his relationship with Murray. It is an extraordinary relationship, and Winchester wrings every last drop of melodrama from it--to the point of irritating the reader. For example, for many years there was a standard tale about the first meeting of Murray and Minor, in which Murray only finds out when he actually arrives at Broadmoor that Dr. Minor is not on the staff, but is an inmate. Winchester opens the book with the phrase "Popular myth has it that . . . " and proceeds to tell the tale; it is an engaging story, and he tells it well. However, halfway through the book he points out that it is false, and has been known to be so for several years. He does eventually give the true version of events, but dangling the attractive lie in front of the reader like this while delaying the less exciting truth is a sign of his weakness for sensationalism. Another example (p. 195 in the paperback edition): after describing a particular gruesome episode of his madness, Winchester speculates for a whole page about a possible cause for which there is not even a hint of evidence--that Minor had an affair with the wife of the man he murdered. Winchester freely admits this is a complete fabrication, but includes it as "legitimate speculation"; to me, it feels more like tabloid journalism. There's more of the same, but that's enough examples; I think part of the problem is that there is simply not much material here to work with. The basic facts are few, and Winchester had to embroider and imagine. It must be said, though, that where he *does* relate factual information, as opposed to speculation, the book is fascinating. The story truly is remarkable, and despite the style is very much worth reading. It's just a pity that Winchester felt unable to let the story speak for itself.
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