by Jonathan Lethem
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by Sophie Gee
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by James Richardson
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by Paul Muldoon
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by Jonathan Lethem
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Editorial Reviews
Amazon.com Review
Pop quiz. Please complete the following sentence: "There are days when I get up in the morning and stagger into the bathroom and begin running water and then I look up and I don't even recognize my own _." If you answered face, then your name is obviously not Jonathan Lethem. Instead of taking the easy out, the genre-busting novelist concludes this by-the-numbers string of words with toothbrush in the mirror.
This brilliant sentence and a lot of other really excellent ones compose Lethem's engaging fifth novel, Motherless Brooklyn. Lionel Essrog, a detective suffering from Tourette's syndrome, spins the narrative as he tracks down the killer of his boss, Frank Minna. Minna enlisted Lionel and his friends when they were teenagers living at Saint Vincent's Home for Boys, ostensibly to perform odd jobs (we're talking very odd) and over the years trained them to become a team of investigators. The Minna men face their most daunting case when they find their mentor in a Dumpster bleeding from stab wounds delivered by an assailant whose identity he refuses to reveal--even while he's dying on the way to the hospital.
Detectives? Brooklyn? Is this the same Lethem who danced the postapocalypso in Amnesia Moon? Incredibly, yes, and rarely has such a departure been pulled off with this much aplomb. As in the "toothbrush" passage above, Lethem sets himself up with the imposing task of making tired conventions new. Brooklyn accents? Fuggetaboutit. Lethem's dialogue is as light on its feet as a prize fighter. Lionel's Tourette's could have been an easy joke, but Lethem probes so convincingly into the disorder that you feel simultaneously rattled, sympathetic, and irritated by the guy. Sure, the story is a mystery, but Motherless Brooklyn could be about flower arranging, for all we care. What counts is Lionel's tic-ridden take on a world full of surprises, propelling this fiction forward at edgy, breakneck speed. --Ryan Boudinot --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
This entertaining play on the hard-boiled detective tale features an unlikely gumshoe with Tourette's syndrome, which compels him to count, tap and make strange vocalizations at inopportune moments. Such ticks could seem gimmicky, but Lethem writes it, and Buscemi performs it, with such style that the compulsions seem an endearing idiosyncrasy (though not to the Tourettic's cohorts, who call him "Freakshow"). Regretfully, it's hard to grasp Lethem's wordplay as it goes whizzing by--Buscemi enunciates at great speed to convey the frenetic activity inside the man's head. Lionel Essrog works with three other young men for Frank Minna's small-time detective agency ("Minna men," Lionel calls them) masquerading as a car service ("No cars!" the boys respond whenever the phone rings). Lionel was saved from an orphanage by Minna, so when his mentor is killed on a job, Lionel is devastated and determines to solve the crime. The chase takes him from a zendo on Manhattan's Upper East Side to a resort on the Maine coast as he follows a character he can identify only as "the giant." Buscemi convincingly conveys the accents of Japanese Zen masters and Brooklyn mobsters, along with Lionel's verbal acrobatics, all without losing the noirish ambience Lethem is gently riffing. Listeners may find themselves unable to turn off their Walkmen and put this one down. Based on the Doubleday hardcover (Forecasts, Aug. 16, 1999).
Copyright 2001 Cahners Business Information, Inc.
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