From Publishers Weekly
Noted biographer and historian Fritz ( Bully for You, Teddy Roosevelt ) offers a wickedly funny look at 10 explorers who, between 1421 and 1522, ventured into what contemporaneous mapmakers called the Unknown. While presenting the salient facts, Fritz approaches them with playful irreverence; accordingly, the frequently traveled material can seem refreshingly new. Discussing Amerigo Vespucci, she writes, "Some give him credit for recognizing a continent when he saw one. Others call him an out-and-out faker." This tone proves especially effective when Fritz addresses such problematic issues as the treatment of native people and the often accidental nature of many of the discoveries. Reflecting the humor of Fritz's text, Venti's lighthearted black-and-white drawings use subtle strokes, as in a picture of Balboa, heavily in debt, stowed away on a ship and peering out from the barrel he'd hidden inside. Readable, attractive maps begin each chapter, providing useful visual references for each voyager's route. Ages 7-11.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 4-7-A look at "the first great wave of European exploration" (1421-1522) through brief portraits of various participants. Fritz does many things well here. She writes with ease and humor, including details that add color and humanity to historical figures, and skillfully incorporates research into her narrative. She presents the heroic aspects of the voyages, as well as evidence of the arrogance, cruelty, and greed many of these men displayed. Despite all the good attributes, the book suffers because of the complexity of the subject matter. By including so many different individuals, the issue becomes complicated; after a while, the Italian, Spanish, and Portuguese names start to run together. Some of the men's lifetimes and discoveries overlap, which makes it even more difficult to sort out who did what... and when. The illustrations are beautiful, entertaining, Renaissance-inspired pencil drawings. They include many amusing touches, such as the island of Porto Santo being overtaken by rabbits, but because they are in black and white and almost too finely drawn, they do not have a great deal of child appeal. A map at the beginning of each chapter shows the explorer's route. An outline of the continents appears on the end papers, but there aren't enough world maps throughout the book to enable readers to get a more complete picture of how the "discovered" countries fit into the world as a whole. The text is not straightforward enough for reports, but interested readers may enjoy perusing these tales of adventure and scientific discovery.
Lucinda Snyder Whitehurst, St. Christopher's School, Richmond, VACopyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews