From Publishers Weekly
Biographer of Bloomsbury luminaries Vanessa Bell and Roger Fry, British art historian Spalding has produced a captivating biography of another key Bloomsbury figure, post-impressionist painter and designer Duncan Grant (1885-1978). Born in the Scottish Highlands and raised in India until he moved to London at age 14, Grant emerges as a mercurial, impractical, often histrionic and jealous man, who was also endearingly down-to-earth and indifferent to fame, and who hobnobbed with people at all levels of society, always eager to partake of new experiences. Drawing on a trove of Grant's unpublished memoirs, letters and diaries, Spalding candidly illuminates Grant's complex private life, from his relationship with painter Vanessa Bell (Virginia Woolfe's sister), with whom he had a daughter, Angelica, in 1918, to his numerous affairs with such men as Lytton Strachey (his cousin), John Maynard Keynes and literary critic David Garnett. In 1942, young Angelica married Grant's ex-lover Garnett, adding yet another twist to the Bloomsburies' ever-changing musical chairs of sexual and romantic partnerships. Enlivened by photographs and art reproductions (including eight color plates), this engagingly gossipy biography scans Grant's entire oeuvre, from portraits, landscapes and mythological scenes to erotic art, ceramics, costume and set design. Meticulously documenting Grant's daily doings, his travels from Seville to Cyprus, and his encounters with everyone from E.M. Forster to Andre Gide and D.H. Lawrence, Spalding vibrantly conveys the texture of the Bloomsbury group's emotional and creative life.
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
A full-bodied but strangely affectless biography of the minor English painter and decorative artist. As the Bloomsbury industry continues to expand, its rapidly running up against the law of diminishing returns. With superior, if not definitive, b iographies already in place for all the major figures, only the secondary and tertiary characters are leftthough as second-raters go, Grant is near the top of the pile. But his mild artistic abilities will always be overshadowed by whom he knew and whom h e slept with. Having already written a biography of Grants fellow painter and lover, Virginia Woolfs sister, Vanessa Bell (1983), Spalding is well qualified to delve into the emotional complexities of Grants life. Drawing on letters and diaries, she detai ls his affairs with the leading men of Bloomsbury, from Maynard Keynes to Lytton Strachey to Vanessa Bells brother Adrian Stephen, but the love of his life was Bell. Despite his homosexuality and ongoing affairs and her marriage, they set up house togethe r and had a daughterwho eventually went on to marry one of Grants former lovers, David Garnett. Such polymorphousness has long attracted biographers to Bloomsbury, but Spalding also spends a judicious amount of time on Grants art. She believes that log-ro lling praise from intimates such as Roger Fry and Kenneth Clark, paradoxically, was largely responsible for Grants reputation plummeting in his later years. Unquestionably, Grant was a decent copyist and a reasonable colorist with a good sense of line and form, but his style tended to ebb and flow with whatever was in vogue at the time, so that it is hard to pin down anything in his work as definitively ``Duncan Grant.'' Spaldings biography suffers from a similar problem. Though she has all the facts, she is never quite able to capture the essence of the man. The only thing missing from these hundreds of exhaustively researched pages is Duncan Grant. (8 pages color, 16 pages b&w illustrations) --
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