Amazon.com Review
"Many do not consider minimalism to be an entirely respectable field of academic pursuit," admits author K. Robert Schwartz in his "Acknowledgments" in
The Minimalists, a volume in the Phaidon Press Limited 20th Century Composers series. Minimalism, with its emphasis on seemingly endless repetition, can be physically damaging to those who attempt to perform it either vocally or instrumentally, and is terminally boring to those unable to tune into its subtle charms. On the other hand, it's tremendously popular, and has won new audiences to the concert hall and opera house. Schwartz explores the lives and work of America's two leading minimalists,
Steve Reich and
Philip Glass, in depth, and looks at seven other practitioners--La Monte Young, Terry Riley, John Adams,
Meredith Monk,
Michael Nyman, Louis Andriessen, and
Arvo Part--more lightly. There are some amusing side trips here (Philip Glass refuses to acknowledge any intellectual debts to his predecessors; his predecessors object to his attitude), and a wealth of detail on these composers, their foibles, and what they're trying to achieve with their music.
Product Description
This study explores the minimalist style of music. It details its beginnings in the music of Terry Riley and La Monte Young, focuses on its major exponents, Steve Reich and Philip Glass, and reviews its broader influences both in the USA, with the work of John Adams and Meredith Monk, and in Europe, with the work of Michael Nyman, Louis Andriessen and Arvo Part. Musical discussion is contextualized within the lives and development of each major artist. This text is part of the 20th-century composers series, examining composers in a biographical context, and offering a comprehensive study of key figures in the creation of 20th-century music. None of the books in the series presume a knowledge of specialized terms or musical notation. Each book in the series features a list of works, a bibliography, and a discography.