Amazon.com Review
"Because death belongs to all, so too should life," observes Portuguese writer José Saramago in a preface to this remarkable volume of black-and-white images. But death is easy and life is hard in Sebastião Salgado's native Brazil, where exploitation of labor and mechanization of agriculture have combined to paint a bleak future for the country's rural population. Even the faces of small children are clouded with despair in this book, which is at once a testament to human courage and a powerful argument for agrarian reform--a long-promised and long-delayed reform that has led to a bloody struggle to take possession of unused land in private hands.
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From Library Journal
Not as broad as Salgado's majestic, international Workers (LJ 10/1/93), this book is all the more poignant for its focus on one people in the photographer's homeland of Brazil. The more than 100 images taken between 1980 and 1996 have been brought together to commemorate the April 1996 massacre of landless farmhands in the state of Para. As many as 20 million Brazilians currently camp on rural roadsides or in suburban shanty towns with neither work nor a place to call home since being displaced by industrialized factory farms or large cattle ranches. Whether capturing boys at play with animal bones, an informal prayer gathering beneath a cactus, or masses rallying to reclaim land left fallow by the conglomerates, the images always shine with the dignity and sense of respect for his subjects that characterizes all Salgado's work. The heartrending introduction, written in the form of a lyric letter to God by Portuguese writer Jose Saramago, perfectly complements the photographs, while the extensive captions at the end tell the full story of this downtrodden people. Photojournalism at its best, this work belongs in most libraries.?Eric Bryant, "Library Journal"
Copyright 1997 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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