From Publishers Weekly
The subtitle of this irreverent memoir carries a special meaning for those who know about Bellows's journalism career he did not "save" the three first-rate newspapers by working for them. Rather, he influenced their content by working against them at the New York Herald Tribune, the Washington Star and the Los Angeles Herald-Examiner, now all defunct. Bellows typifies the notion of editor as idea factory: he pioneered a literary style of journalism, with Tom Wolfe and Jimmy Breslin as the youthful exemplars; he launched a celebrated political gossip column Diana McLellan's The Ear at the Star; and he began treating the world of entertainment as front-page news in Los Angeles. Now in his eighth decade, Bellows tells of his early years in a well-to-do Ohio family, his WWII service, and his almost random choice of a journalism career, which brought him not only to newspapers but also to television and the Internet. Every chapter is filled with boxed asides that some readers will relish William Shawn's letter to Trib publisher "Jock" Whitney in response to Tom Wolfe's infamous lambasting of the New Yorker, for example but too many are tributes to Bellows from the likes of Willie Morris, Gail Sheehy and Art Buchwald. Sometimes witty, other times simply self-congratulatory, the book is not great literature, but the writing is filled with verve. Bellows obviously enjoyed himself at the office. Journalists, especially those of Bellows's generation or those who recall his legendary reputation, are quite likely to read this memoir all the way through; and young journalists might learn a thing or two from his war stories, but it's hard to see a larger audience being drawn to these reminiscences. B&w photos.
Copyright 2002 Cahners Business Information, Inc.
Although the subtitle sounds immodest, Bellows' memoir isgenerously sprinkled with notes and letters written bycolleagues--from the likes of Tom Wolfe and Jimmy Breslin--attestingto his prowess as an editor and fellow journalist. Because he spenthis career working for the number-two paper in major markets, heraised the hackles of as many prominent journalists and editors aspoliticians. Among Bellows' recollections are accounts of
WashingtonPost editor Ben Bradlee's ire when he and Sally Quinn were often thesubject of the well-read gossip column,
The Ear, started byBellows and later adopted by his rival. This is a lively, engagingrecollection of the glory days of newspapers with amusing stories ofthe fabled men and women of journalism at a time when many Americancities supported at least two newspapers. The notes and commentariesof others provide a flavor of the aggressive newsgathering and fastfriendships that developed within the cauldron of deadlines and heatedcompetition.
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