Most Helpful Customer Reviews
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106 of 127 people found the following review helpful:
5.0 out of 5 stars
Bloody Great Book!, February 20, 2005
This reviewer is not one who like a child in class tells you the plot of a novel - you are mature enough to read the plot line when you are contemplating the book to buy.
What I want to tell you is why you should choose this book, or any Greg Iles books.
He not only chooses diverse subjects for each books, but almost all of his books have a lyric quality in his writing, that makes layers upon layers as you read - there is beauty in his style that is magic. I can quote passages from his earlier works, and not many can say they do that with other authors. I sent a 'fan letter' to Iles and he was gracious and I was impressed.
I call him our generation's Faulkner, because he not only knows the South, but knows how to portray it not in black and white, but how it weaves its spell into the plot of the novel.
If you have not read Mortal Fear and The Quiet Game, they are definite must haves. The others are excellent, but have varying impact on the reader. Blood Memory stands out among his excellent works - and is worth the wait we fans had to endure.
Usually his works come out in September, and we had some time to wait this time, but it is worth it.
This is a man who has a gift. Read the plot above, or others' reviews that read like a book review in school, although the book's subject is serious. What I am here to tell you is WHY to buy a book. It hits you on many levels and makes you think as well as experience. And that makes the difference between a good writer and a great one.
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15 of 15 people found the following review helpful:
5.0 out of 5 stars
one of Iles' best books, February 21, 2005
Blood Memory ranks right up there with the best of Greg Iles' novels to date, such as The Quiet Game and Mortal Fear. He is really talented at weaving complicated suspense with interesting characters, and in this book he returns to the Mississippi setting he knows so well. There are even appearances from characters and a storyline from two of his previous books, so that's a little extra fun for readers familiar with his work. What makes Iles' books even more appealing is the range of topics that he explores. Each book is a well-written suspense tale, and Blood Memory is no exception. I think it's his best book by far since The Quiet Game. The topical subject matter of Blood Memory is a troubling reality. While the basic plot idea of vengeance in this arena has been tried by other authors, Iles tells a more powerful story across the spectrum of predator and prey. This book really has a lot going for it: classic Iles suspense, detailed forensics, strong female characters, and vivid storytelling. Not only is it a hard book to put down, it's also one that will be hard to forget.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Dark Blood, Deep Memory, March 5, 2005
At age 31, Cat Ferry has it all going for her: brains, beauty, family wealth, and an accomplished career in a branch of the dental sciences that puts her into frequent contact with police officers solving intriguing crimes. But Cat Ferry is a mess: dental school was a refuge from the medical school she was asked to leave, she has a string of broken relationships with older men, alcoholism is a likely diagnosis, and her current relationship with a married police officer is quickly reaching its crisis point. The good and the bad converge as Cat is drawn into the solution of two mysteries. One involves a series of bizarre related homicides in her adopted city of New Orleans. The other involves the unsolved murder of her own father decades earlier in her home city of Natchez. Is there a relationship between these two series of events so removed in time? It begins to seem so as Cat becomes the Clarice Starling to a (fortunately) non-cannibalistic psychiatrist who both figures obscurely in her own past and emerges as a link among the New Orleans homicide victims. Cat's journey toward the solution of these mysteries has as many twists and turns as the river that connects the two central points in the story, and it takes place against a menacing background of power, passion, violence and repressed memory that is just as raw and threatening as the bayous that predominate the landscape between her two homes, then and now.
This book is very good reading for several reasons. First, it is very different from much popular mystery fiction today, which tends to be formulaic and abbreviated. So many of today's mystery novels, with their one-dimensional characters, trite plots, and brief chapters seem to be slightly pumped-up versions of screenplays that their popular authors hope to option to the movies as soon as the books ascend to their inevitable places on the best-seller lists (or perhaps even before). Indeed, many of the characters appear to be modeled to attract the A-list stars most likely to turn the story into big box office. As literature, these books are produced for people on the go, and are designed to be read between subway stops or umbrella drinks on the beach. They are breezy, they use short sentences and small words, and the sexual deviancy that seems always to be an inextricable element of the plot is inevitably crude and salacious. I confess to having indulged in the guilty pleasure of spending time with these novels.
Blood Memory is a different "read". The only formula it follows is having a beginning, a middle, and an end. While the characters have their various virtues and vices that are important to the context of the story and the flow of its plot, they also tend to be multidimensional and interesting. While it partakes of elements of both, this book is far less a police procedural than it is an exploration of psychopathology. The story goes in some unexpected places, and the author is skilled in foreshadowing his plot developments in a subtle way that lets the reader anticipate the turning points just slightly ahead of the characters. This is both difficult to accomplish and very satisfying for the reader.
Another bright attribute is the use of language. The author is skilled both in description and in the development of the interior monologue that contributes to the reader's appreciation of the conflicts and complexity of its central character.
I recommend this book for those who want to experience the joys of reading without the guilt that accompanies the expenditure of time on so much of what passes for popular fiction these days.
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