The Creative Habit: Learn It and Use It for Life (Paperback)

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Editorial Reviews

From Publishers Weekly

Perhaps the leading choreographer of her generation, Tharp offers a thesis on creativity that is more complex than its self-help title suggests. To be sure, an array of prescriptions and exercises should do much to help those who feel some pent-up inventiveness to find a system for turning idea into product, whether that be a story, a painting or a song. This free-wheeling interest across various creative forms is one of the main points that sets this book apart and leads to its success. The approach may have been born of the need to reach an audience greater than choreographer hopefuls, and the diversity of examples (from Maurice Sendak to Beethoven on one page) frees the student to develop his or her own patterns and habits, rather than imposing some regimen that works for Tharp. The greatest number of illustrations, however, come from her experiences. As a result, this deeply personal book, while not a memoir, reveals much about her own struggles, goals and achievements. Finally, the book is also a rumination on the nature of creativity itself, exploring themes of process versus product, the influences of inspiration and rigorous study, and much more. It deserves a wide audience among general readers and should not be relegated to the self-help section of bookstores.
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From School Library Journal

Adult/High School--Tharp shows how and why artists must actively seek and nurture inspiration. The dancer/choreographer draws heavily on her personal experiences to guide readers into cultivating habits that give birth to success. In addition, she recounts the experiences of artists from other disciplines, including painting and cinematography. Vignettes from the lives of people such as Mozart underline the fact that even geniuses work hard to realize the fruits of their labor. A personable tone is carried throughout the book, and within the text is a gold mine of advice. Tharp not only promotes tried-and-true habits, but also encourages readers to dig deep within themselves and come up with their own answers. Most sections conclude with exercises; they are fun and almost seamlessly bring home the author's main points. The black-and-white illustrations and photos are few in number. Students from all manner of creative arts who wish to make their dreams come true would benefit from reading this book.--Sheila Shoup, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

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Product Details

• Paperback: 256 pages
• Publisher: Simon & Schuster (December 27, 2005)
• Language: English
• ISBN-10: 0743235274
• ISBN-13: 978-0743235273
• Product Dimensions: 9 x 6.9 x 0.8 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (57 customer reviews)
• Amazon.com Sales Rank: #7,746 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

202 of 208 people found the following review helpful:

5.0 out of 5 stars Make it a habit., October 22, 2003

By	Cedric's Mom (San Diego, CA USA) - See all my reviews

This review is from: The Creative Habit: Learn It and Use It for Life (Hardcover)

Twyla Tharp's new book, The Creative Habit, is

1. Practical and straightforward, two attributes to be expected from a dancer. Dancers wrestle daily with the obstinacies of the flesh. It's not about smoke and mirrors. It's about hard work and commitment, the "habit" of showing up to do the work and developing one's creativity in the process.
2. Literary and literate. Tharp quotes the Bible, Dostoyevsky, Mozart, and many other greats of the Western Canon to illustrate her points and show that the struggle to be creative is nothing new and that great artists have fought the same battles as anyone who strives to create.
3. Accessible. There's no mystery or theory of genius here other than the habit of work. Tharp constantly makes the point that we have to establish habits for our creative pursuits or the work will not get done and the creativity will have no place to manifest.
4. Myth Busting. Mozart didn't get his musical genius from On High; in fact, he worked his fingers into early deformity from practicing so much. Not that Tharp proposes hurting oneself in the creative quest. She's merely making the point that practice is supreme, not sitting around waiting for the muse to make an appearance. Her choice of Mozart is historical, but I've heard similar about Michael Jordan. When other ball players were out doing whatever, Jordan was on the court practicing his shots.
5. Encouraging. One of America's greatest choreographers shares her demons with us, so we know our fears aren't "special," and no, they won't go away with success, so stop with the "if only." Wrestling demons is just part of the process; it comes with the territory.

I love the layout of this book: an airy, elegant use of color, font, and white space, which parallels the visual of her stage work. Tharp is very generous in sharing details of her work regimen and her methods for getting things done. Obviously it works for her. The good news is that because her methods are so practical, they can work for others, too.

Tharp uses photos very sparingly in this book, so if you're looking for a photo history of her career or her company, this isn't the book. She focuses on the Creative Habit and she doesn't make herself or her work the center of the story; she draws on the experience and history of many well-known artistic giants and a few lesser known artists as well.

If you want to create or you're interested in the creative process, don't wait for the paperback. I've seen many books on creativity, but this is by far the most practical and accessible one I've read. Tharp knows that it takes hard work and good habits to create something tangible, and she doesn't waste our precious time on mystical mumbo jumbo or some magical "way" of the artist. It's the work, folks.

84 of 86 people found the following review helpful:

5.0 out of 5 stars Excellent Guide to Mastering the Creative Life, September 29, 2003

By	F. Avery "the reading miko" (Los Angeles, CA United States) - See all my reviews (REAL NAME)

This review is from: The Creative Habit: Learn It and Use It for Life (Hardcover)

This is an excellent guide to mastering the creative life for any creative professional (or as Tharp suggests, it's for any personal creativity as well). Full of great anecdotes, excellent quotes, usable activities and exercises, and most importantly, full of advice and questions that make the reader reassess their goals and their career. The book is thin and some pages occasionally have larger text for emphasis, but don't let that deceive you. It's a vast storehouse of knowledge: ranging from Mozart, to Dostoevsky, to childhood photographs, to how to keep your creative activities organized and so on and so forth. Tharp reminds me of Hemingway in her ability to get to the point, she doesn't stray, and yet her brief topics are fulfilling as starting points for your own exploration into what works for each individual artist. Books like this keep me going strong when I'm flagging.

36 of 37 people found the following review helpful:

5.0 out of 5 stars Artist's way of discipline, November 17, 2004

By	Dr Cathy Goodwin (Seattle, WA USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This review is from: The Creative Habit: Learn It and Use It for Life (Hardcover)

Inevitably any self-help creativity book will be compared to Julia Cameron's block-buster, The Artist's Way. Those who liked Cameron will find similarities here, but also differences. I will be recommmending both for my career change and business consulting clients.

Cameron directly uses "spirituality" throughout her book, with references to "God," who, she says, can be broadly defined. She appeals to images and emotion.

Tharp goes directly to action. She's strictly verbal: no cute sayings, no quotations all over the page. She's as unadorned as the Nike swish and just as straightforward: "Just do it" could be her motto.

Her own life seems starkly disciplined. Lots of people get up before dawn (they must not have dogs -- mine demands a walk right away) but Tharp actually gives up movies while she's working on a project. Not just movies, but videos as well. Too distracting, she says.

The key to art, she says, is practice. Dancers start with class, whether they're stars or corps members. Painters prepare their material. Practice harder, she says, but with "purpose." And practice what's difficult. We tend to practice only what we do well. I think not only of dancers, but of basketball players like Cynthia Cooper, who practiced left-handed dribbling and three-point shots for hours.

My favorite part of Tharp's book was her discussion of ruts. A rut can be associated iwth bad timing, a bad idea, bad luck, most likely because you don't realize you have changed and the world has changed.

Her advice foro a typical artist problem - when to stop tinkering - is straightforward: When you feel that you have straightened out a messy room, stop! Otherwise, keep working.

While I enjoyed Tharp and recommend the book to everyone, I believe it's targeted to people who are already committed to making a living through creativity. Some people have an innate sense of what sells while others struggle with unread manuscripts and unseen artwork.

I would read The Creative Habit as a set of ideals, a philosophy rather than a prescription. For example, to get out of a rut, Tharp recommends, "Challenge your assumptions." This is not easy, as few people recognize their own assumptions. And as for acting on challenges...well, that's a whole new world!

Finally, as a career consultant, I am reminded that much of our world favors commercialism over creativity. Jobs often reward those who stay quietly in their boxes, rather than going outside the box. Once your creativity awakens, it's easy to become frustrated because there's no place to carry it out. But for most people, the creative life can bring its own rewards. And a daily practice session (if you know how to create a purposeful practice session) can surprise you.

-- Cathy Goodwin (.com)