From Publishers Weekly
Homicide detective Dave Robicheaux is pitted against a handsome, urbane war hero of a bad guy instead of the typical obscenely grotesque villain in this latest installment of Burke's stellar series, set in New Iberia, La. It's a shift in adversaries that forces Robicheaux to take a different tack than his usual uncontrolled tilting at the windmills of elusive justice. As in many of Burke's novels (A Stained White Radiance; In the Electric Mist with Confederate Dead), current felonies are tied to a crime from the past. Here, Dave's friend Father Jimmie Dolan is being stalked by Irish hit man Max Coll; linked to this intrigue is the story of blues singer Junior Crudup, who entered the hell of Angola Penitentiary in the 1950s and was never heard from again. In present-day New Orleans, three teens die in a fiery crash after buying drinks at a drive-by daiquiri stand. Porn star Gunner Ardoin takes a beating from Dave's sidekick, Clete Purcel, who wreaks his usual havoc. Mysterious lady cop Clotile Arceneaux keeps popping in with advice, and a minor thug, Jumpin' Merchie Flannigan, is married to Robicheaux's old girlfriend Theodosha. These are just a scant few of the characters and subplots that thicken the deep and complex gumbo of Burke's story. The writing is beautiful, as always, laced with the author's signature descriptions: "the sepia-tinted light in the trees and on the bayou seemed to emanate from the earth rather than the sky." This is an outstanding entry in an excellent series.
Copyright 2003 Reed Business Information, Inc.
From AudioFile
The rough edges of James Lee Burke's story and Mark Hammer's voice make a fine pair. The Louisiana bayoux breed more trouble for Detective Dave Robicheaux. He digs up long forgotten crimes involving a blues musician and follows a twisting path to contemporary injustices, corruption, and deceit as mobsters and an IRA hit man make forays to New Iberia. Poor sound quality mars Hammer's fine inflective reading. Despite the muzzy sound, which ALMOST lends atmosphere, Hammer's rendition of the Louisiana misfits and miscreants is right on. The sound is distracting but not ruinous. And through it all, Burke's magical, descriptive prose flows freely--"like stars in a black rain barrel." R.F.W. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to an out of print or unavailable edition of this title.
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