A Girl Becomes a Comma Like That: A Novel (Hardcover)

by Lisa Glatt (Author) "My mother is sick at home, and I am downtown, full of beer, kissing a long-haired man in the pizza place next door to Ruby's..." (more)
Key Phrases: Michael Brown, Georgia Carter, Rachel Spark (more...)

Editorial Reviews

Amazon.com Review
At the center of A Girl Becomes a Comma Like That, Lisa Glatt's heroic, hauntingly honest debut, is Rachel Sparks, a thirtysomething college professor who moves back home to sit with her mother while the older woman succumbs to terminal cancer. Glatt frames Rachel's story against a backdrop of women who range in age from 16 to 60, all of whom struggle with the conflicting sense of power versus the chilling vulnerability that seems so essential to their roles as women.

Although Rachel's mother's fate is apparent from the first chapter, Glatt does a commendable job of keeping the reader interested in her characters throughout the entire novel. We follow Rachel as she jumps from man to man, focusing on minute details while ignoring the basic flaws that make these men so fundamentally wrong for her. Along the way we get to know Rachel's student Ella Bloom, who must confront her cheating husband after less than a year of marriage. Ella's days are spent at a women's health clinic treating patients like 16-year-old Georgia Carter, who repeatedly exposes herself to sexually transmitted diseases in the hopes that one of these boys will show her the real affection that she can't get at home. ("Other men and boys noticed Georgia. It was as if they saw straight up inside her, all that she had done ... She understood that her body belonged to the whole damn street.")

While Glatt does an admirable job of showing women's weaknesses--and strengths--when dealing with men, it is her remarkable understanding of the tumultuous relationship that women have with their own bodies that makes this novel unique. From mastectomies to reconstructive surgeries to abortions to virtually anonymous sex, Glatt skillfully demonstrates how complex a woman's relationship with both her body and mind can be, and the tremendous power one often has over another. --Gisele Toueg

From Publishers Weekly
"A girl becomes a comma like that, with wrong boy after wrong boy," muses the narrator of Glatt's keenly observed debut. "She becomes a pause, something quick before the real thing." Rachel Spark, a 30-ish university poetry teacher, is looking for the real thing-but she's also living in L.A with her mother, "because she was sick and because I was poor.... It was love, yes, but need was part of it too." As her mother slowly succumbs to breast cancer, Rachel seeks solace-and escape-in the arms of various unsuitable men. Glatt's tone shifts through comic, pensive and mournful as she also explores the lives of Rachel's newlywed student, Ella Bloom; her lovelorn, allergy-challenged best friend, Angela Burrows; and Georgia Carter, a promiscuous 16-year-old patient at the health clinic where Ella works and where Rachel later seeks an abortion. Repeated references to breasts, limbs and organs in discomfort and disease foreground these women's uneasy relationships with their bodies and their lives; drunken and sorrowful sex abounds; connections with men are made and then broken. Rachel loves her mother, but disapproves of her shedding her wig, ordering a vibrator and falling in love in the face of death. As the dying woman-Glatt's liveliest character-evicts Rachel from her hospital room, readers may sympathize: much earlier, mother has diagnosed daughter, "You're thirty. Of course you need connection." Glatt's clear-eyed rendering of the complexities of relationships between friends and family enriches a story in which the steps toward healing are small and tentative, but moving nevertheless.
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Product Details

• Hardcover: 304 pages
• Publisher: Simon & Schuster (June 1, 2004)
• Language: English
• ISBN-10: 0743257758
• ISBN-13: 978-0743257756
• Product Dimensions: 8.5 x 5.7 x 1.1 inches
• Shipping Weight: 13.6 ounces
• Average Customer Review: 3.7 out of 5 stars See all reviews (41 customer reviews)
• Amazon.com Sales Rank: #783,124 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

25 of 25 people found the following review helpful:

5.0 out of 5 stars tragic beauty, October 1, 2004

By	JK - See all my reviews

Lisa Glatt's book is not chick lit or anything close to it. If you want to read about shopping and fashion and silly girl crushes, go elsewhere. This is serious literature, about cancer and looming death and unavoidable loneliness, and the dark, sad, sometimes sleezy, places depressed women go to hide as a result. Glatt is an honest writer. Beautifully honest. In fact, she makes tragedy almost appealing.

18 of 19 people found the following review helpful:

5.0 out of 5 stars Absurdly, amazingly great., July 29, 2004

By	reader - See all my reviews

The following is an excerpt from my column, a monthly review of first novels published in the New York Journal News. I'm posting it here because Glatt's novel is among the best debuts I've ever read - it deserves all the accolades and praise it has received, and then some - and I think everyone should know about it.


Lisa Glatt's first novel (she previously published two collections of poetry), entitled A Girl Becomes A Comma Like That, is an accomplished, elegant, inky-black tragicomedy that raises gallows humor to a heartrending art form. Its heroine, Rachel Spark, moves home to care for her terminally ill mother, a dynamic, ruthlessly optimistic woman who seems to be coping with the situation far better than her daughter; Rachel, a thirtyish creative writing teacher adrift professionally and personally, is absolutely devastated at the prospect of her mother's death, and attempts to circumnavigate her grief by sleeping with one inappropriate man after another.

Into this central narrative, by turns poignant and uproarious, Glatt intersperses the stories of three other young women: Rachel's friend Angela, a hapless, socially inept young woman, simultaneously tough and clinging, whose allergies occasionally cause her lips to swell to epic proportions, making it difficult for her to breathe or speak; Ella, a sensitive college undergrad and student of Rachel's, who discovers her new husband is having an affair; and Georgia, a sexually and intellectually precocious teenage girl-and an inauspiciously regular client of the Planned Parenthood clinic where Ella works, and which Rachel visits to have an abortion.

All of the characters, whether treated briefly or at greater length, are distinct, dimensional, and eminently believable. Glatt extracts a sweet pathos from the almost arbitrary, near-miss quality of their uneasy friendships, but what connects these women one to another is less important, and of less interest to Glatt, that what keeps them apart from each other and from anyone else: the loneliness that they have in common, a profound, ineffable lack that each tries and fails to fill with sex. As Rachel muses in the line from which the title is taken, "A girl becomes a comma like that, with wrong boy after wrong boy; she becomes a pause, something quick before the real thing." Love is what each of these women craves-authentic, abiding love, the real thing-but cannot or will not permit herself to have. Each endures the effects of ordinary damage that has been magnified and warped by sorrow and happenstance; each is, in her own way, spun out and dizzied by the centripetal forces of self-destructive compulsions.

These portraits are, deft, wise, beautifully complex, and drawn with a light, even playful touch; the novel is bracingly unsentimental. Glatt does not stoop to easy cleverness or coy ironies, and she offers her characters neither pity nor condemnation (for example, she takes care to juxtapose the main characters' emotional pathologies with victims of cancer, degenerative brain disease, and other physical maladies, casting a cold light on the young women's complicity in their own suffering). Instead, Girl is shot through with ferocious insight, stern compassion, and a mordant humor that provides ballast without mercy; this is a rare, bright, glass-cuttingly sharp little jewel of a book.

13 of 13 people found the following review helpful:

5.0 out of 5 stars Honest, frank, and poetic, February 21, 2005

By	T. Eugenie James (New Orleans, La USA) - See all my reviews (REAL NAME)

I bought this book because I loved the title, and the story line seemed passable (I was trying to get away from the dark horror I usually read). What I found was a novel that stired my soul and made me re-read passages so that what Glatt was saying would stick to my bones. I rarly find a book that hits this close to home. Stories about three seperate woman whose lives are linked by association the book skips back and forth between years of Rachel's mother's cancer. Rachel herself is an english professor who is, let me be gental here, sexually loose. Alot of her "relationships" have more to do with her pain over her mother than anything else. The mother is a constant source of wit and postiviness in this book where the other characters are more at a downward spiral emotionally in their lives. The line "a girl becomes a comma like that" was Rachel talking about how one girl (her in the example she's giving) is just the pausing point for a guy inbetween one to the next. That hurt so much to read someone write that, but it was so beautifully put I didn't care. A must read for any female who can't find her place in a relationship, or sometimes in herself.