From Publishers Weekly
Starred Review. Simmons (
Three Days as the Crow Flies), art dealer, poet, painter and denizen of New York's art world, tells a story of the seductive sex and drugs scene in New York in the capitalistic 1980s. Brooklyn hustler Crow just needs enough money to buy some drugs. So he steals a few paintings from his friend and tries to make a quick sale to tourists in Washington Square Park. Much to his surprise, he is discovered by a chic art dealer who wants to sell not just Crow's paintings but his rough, primitive image. Crow feels a bit of guilt at the ruse, but ignores even that when he meets a luscious art groupie. Over a down-the-rabbit-hole few days, Crow takes full advantage of the name-dropping, posturing, hipster art lovers to get as much sex and drugs as he can before his theft is revealed. The psychedelic drawings lovingly portray New York's freaky side, showing a variety of characters from a straight drag queen to an eccentrically bohemian patroness. After 60 pages of over-the-top indulgence, this comic stumbles when it tacks on a Frank Capra–style moral epiphany at the end. As a portrait of a hedonistic lifestyle, this comic is a triumph, but as a morality lesson it leaves a lot to be desired.
(Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
Inspired by the widely praised novel
Three Days as the Crow Flies, Danny Simmons and Floyd Hughes present a richly illustrated graphic novel set in the gritty underworld of New York City circa 1985 -- a time and place when street culture and the fine arts scene came together in strange and often predatory ways.
Crow, a junky and the son of a deceased police officer, steals a few paintings from his friend Danny, which he hopes to sell and make a few dollars off of to pay his landlord and cop some powder. Before he knows it, he's drawn into the surreal dreamland of "do-as-you-please," a hazy, hedonistic world of sex, drugs, and cold-blooded commerce. Filled with evocative black-and-white imagery and crackling with authentic, street-smart dialogue, Simmons and Hughes capture and bring to life this haunting urban tale.