From Publishers Weekly
In the tradition of Girl, Interrupted and I Never Promised You a Rose Garden, Lewis details her often harrowing experiences as an adolescent trapped in a psychiatric hospital and her more than 30-year recovery and redemption from having been diagnosed schizophrenic at age 15. Skipping school, experimenting with drugs and raging against an overbearing mother were Lewis's rather typical acts of 1960s-style rebellion, yet they earned her 28 months of institutionalization and intensive regimens of psychotropic medication. During her hospitalization, Lewis was kept in pajamas (to discourage escape attempts), which only encouraged sexual experimentation with other patients. Suicide attempts were rife, too, and several of her closest friends succeeded. Lewis broke free from this maelstrom at age 18, when she could no longer be held against her will. She attended college, tried various therapies, joined the Mental Patients Liberation Project, and developed long-dormant artistic skills. She also found herself caring for her dying father. Jobs came and went, as did her depression and anger, yet the will to survive never abandoned her. In the spirit of the work of R.D. Laing and Thomas Szasz, Lewis's story calls into question the very definition of mental illness and the system that makes such determinations. After accessing her medical records with the diagnosis of chronic schizophrenia she declared, "I do not believe it. I was never schizophrenic. Not then, not now." Now a visual artist and writer, Lewis provides a moving, poignant and enraging, yet redemptive, account of one woman's refusal to accept victimization, powerfully told in vivid, poetic prose.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Artist and writer Lewis had a tough adolescence. At 15, she was remanded to a mental hospital and not released until she legally became an adult three years later. The first section of this intimate memoir is an account of those years. The second section brings the story up to date, incorporating Lewis's recent exploration into her medical records and a return visit to the hospital. There she talks to a psychiatrist who tells her that chronic undifferentiated schizophrenia was "obviously an incorrect diagnosis." Lewis's first-person, present-tense writing style gives an intensely vivid picture of what it was like to come of age during those years. The author openly discusses the friendships, the politics of institutional life, the medication, the sex and dope (arranged with staff help), and the wonderful English teacher. Her occasional use of actual clinical case notes is effectively jarring and works well with the story. However, this kind of first-person narrative does not serve Lewis as well in the second part, which could have benefited from some judicious editing and narrative framing. Recommended for memoir collections in public libraries and for history of psychiatry collections. [Lewis's essays have been published in the Lilith magazine and appear in two recent anthologies, Escaping the Yellow Wallpaper and Voices from the Couch.-Ed.]-Mary Paumier Jones, Westminster P.L., C.
--Mary Paumier Jones, Westminster P.L., COCopyright 2002 Reed Business Information, Inc.
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