From Publishers Weekly
Collins has wrapped up his "Frank Nitti trilogy" in fine style: new readers will be tempted to go back to True Detective and True Crime. Private-eye narrator Nate Heller is hired by Hearst columnist Westbrook Pegler and movie star Robert Montgomery to get the goods on Willy Bioff, crooked head of the movie technicians' union. Set mainly in Chicago from 1939 to 1943, with several stints in Hollywood and Guadalcanal, the book is rich in local color, period flavor and action. It is also populated with actual characters, including Eliot Ness and boxer Barney Ross. Brooding over these assorted personalities is Frank Nitti, Capone's successor as head of the Chicago mob, who has an odd, almost-friendly relationship with Heller. Collins, writer of Dick Tracy, shows his comic-strip background, but the slam-bang action is nicely fleshed out with believable characterizations. Photos not seen by PW.
Copyright 1986 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Product Description
From a foxhole on Guadalcanal (shared with Barney Ross) to the glitzy underworld of Hollywood in the '40s, Nate Heller fights his memories and the Mob. Something happened at the Canal, something Heller's blocking out. What he can't block, though, is the wound he received -- the million-dollar wound, the one that got him home. Back in the States, and back in Chicago, he becomes involved once again with Frank Nitti during the gang boss' last violent days, and with the gangland attempts to take over the movie unions. The homefront is every bit as violent as the war-torn Pacific, and even the solace of Sally Rand can do nothing to ease Heller, who is haunted by the death of a friend in Guadalcanal, and surrounded by the mayhem of gangland murders.