Frankenstein (Enriched Classics) (Mass Market Paperback)

by Mary Shelley (Author)
Key Phrases: Mary Shelley, Paradise Lost, Mont Blanc (more...)

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Product Description
ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP

A timeless, terrifying tale of one man's obsession to create life -- and the monster that became his legacy.

EACH ENRICHED CLASSIC EDITION INCLUDES:

• A concise introduction that gives readers important background information

• A chronology of the author's life and work

• A timeline of significant events that provides the book's historical context

• An outline of key themes and plot points to help readers form their own interpretations

• Detailed explanatory notes

• Critical analysis, including contemporary and modern perspectives on the work

• Discussion questions to promote lively classroom and book group interaction

• A list of recommended related books and films to broaden the reader's experience

Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON

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Product Details

• Mass Market Paperback: 352 pages
• Publisher: Simon & Schuster (April 27, 2004)
• Language: English
• ISBN-10: 0743487583
• ISBN-13: 978-0743487580
• Product Dimensions: 6.7 x 4.1 x 1.1 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 3.6 out of 5 stars See all reviews (46 customer reviews)
• Amazon.com Sales Rank: #620 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

109 of 112 people found the following review helpful:

1.0 out of 5 stars DO NOT BUY THIS EDITION!!!!!!, January 31, 2007

By	I. Nicastro "High School English teacher" (The Hague, Netherlands) - See all my reviews (REAL NAME)

This "enriched classics" is a bowdlerized version of Mary Shelley's original text. It eliminates passages, changes the diction, abridges the chapters, and changes the entire structure of the novel. Our school bought this edition thinking that the additional notes would be helpful to students studying the text, but there was no indication at all on Amazon's website that this version had been substantially altered by the editors. The book is so bowdlerized that our school bought an entire new set of texts for the students at a considerable finanacial loss for the school. WHATEVER YOU DO, BUY SOME OTHER VERSION OF FRANKENSTEIN. THIS ONE IS A MONSTER CREATED BY SOMEONE WHO HAS NO RESPECT FOR THE AUTHOR. BANTAM, PUFFIN, OXFORD -- THEY ARE ALL FINE. Irene Nicastro, English teacher, The American School of The Hague.

14 of 14 people found the following review helpful:

5.0 out of 5 stars Gothic at its best, December 16, 2006

By	Michael A Neulander "Political Philosophy" (VA) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

Mary Shelley was the daughter of the famous feminist and author, Mary Wollstonecraft, who is best known for her work The Vindication of the Rights of Women. In Mary Shelley's Frankenstein, a young university student, Victor Frankenstein, obsesses with wanting to know the secret to life. He studies chemistry and natural philosophy with the goal of being able to create a human out of spare body parts. After months of constant work in his laboratory, Frankenstein attains his goal and brings his creation to life. Frankenstein is immediately overwrought by fear and remorse at the sight of his creation, a "monster." The next morning, he decides to destroy his creation but finds that the monster has escaped. The monster, unlike other humans, has no social preparation or education; thus, it is unequipped to take care of itself either physically or emotionally. The monster lives in the forest like an animal without knowledge of "self" or understanding of its surroundings. The monster happens upon a hut inhabited by a poor family and is able to find shelter in a shed adjacent to the hut. For several months, the monster starts to gain knowledge of human life by observing the daily life of the hut's inhabitants through a crack in the wall. The monster's education of language and letters begins when he listens to one of them learning the French language. During this period, the monster also learns of human society and comes to the realization that he is grotesque and alone in the world. Armed with his newfound ability to read, he reads three books that he found in a leather satchel in the woods. Goethe's Sorrows of Young Werther, Milton's Paradise Lost, and a volume of Plutarch's Lives. The monster, not knowing any better, read these books thinking them to be facts about human history. From Plutarch's works, he learns of humankind's virtues. However, it is Paradise Lost that has a most interesting effect on the monster's understanding of self. The monster at first identifies with Adam, "I was apparently united by no link to any other being in existence." The monster, armed only with his limited education, thought that he would introduce himself to the cottagers and depend on their virtue and benevolence; traits he believed from his readings that all humans possessed. However, soon after his first encounter with the cottagers, he is beaten and chased off because his ugliness frightens people. The monster is overwrought by a feeling of perplexity by this reaction, since he thought he would gain their trust and love, which he observed them generously give to each other on so many occasions. He receives further confirmation of how his ugliness repels people when, sometime later, he saves a young girl from drowning and the girl's father shoots at him because he is frightful to look at. The monster quickly realizes that the books really lied to him. He found no benevolence or virtue among humans, even from his creator. At every turn in his life, humans are judging him solely based on his looks. The monster soon realizes that it is not Adam, the perfect being enjoying the world, which he is most alike. Instead, he comes to realize that he most represents Satan. The monster is jealous of the happiness he sees humans enjoy that he has never attained for himself. The monster tells Frankenstein that he found his lab journal in his coat pocket and read it with increasing hate and despair as he came to understand what Frankenstein's intent was in creating him. The monster curses Frankenstein for making a creature so hideous that even his creator turned from him in disgust.

Shelley's intent here is plain to see. "The fate of the monster suggests that proficiency in `the art of language' as he calls it, may not ensure one's position as a member of the `human kingdom." In a sense, she is showing that both her parents were mistaken when they advocated greater education reform for people. They thought education would make people better, which in turn would improve society for all. Mary Shelley's Frankenstein contradicts this belief.

Starting with the full title of Mary Shelley's book, Frankenstein: or The Modern Prometheus one can instantly see that mythology was integral to her book. Lord Byron, poet and friend of the Shelley's was writing a poem entitled Prometheus, and Mary was reading the Prometheus legend in Aeschylus' works when she had a dream, which was the impetus for her book. The Greek god Prometheus, is known for two important tasks that he performed, he created man from clay, and he stole fire from the gods and gave it to man. The stealing of fire really angered Zeus because the giving of fire began an era of enlightenment for humankind. Zeus punished Prometheus by having him carried to a mountain, where an eagle would pick at his liver; it would grow back each day and the eagle would eat it again.

The presence of fire and light in this gothic story helps to point to the similarities to Prometheus and Victor Frankenstein, the creator of the monster, in Shelley's book. The book uses light as a symbol of discovery, knowledge, and enlightenment. The natural world is full of hidden passages, and dark unknown scientific secrets; Victor's goal as a scientist is to grasp towards the light. Light is a by-product of fire that the monster learned quickly when he is living on his own. The monster experienced fires' duality when he first encountered it in an unattended fire in the woods. He is mesmerized by the fact that fire produces light in the darkness in the woods, but is shocked at the sensation of pain it gives him when he touches it. Victor is defiant of god in the same way that Prometheus was defiant of Zeus. Victor steals the secret of life from god and creates a human out of spare body parts. He does this out of an altruistic wish to spare humankind from the pain and suffering of death. Thus, Victor Frankenstein embodies both aspects of the Promethean myth creation and fire. Victor in a sense has the same experience with the fire of enlightenment similar to his monster; he is "burned" by the fire of enlightenment. Victor also suffers from the classic Greek tragic condition of hubris for his transgression against god and nature.

The book also adopts two other great mythic legends. One is Adam from the Bible. Victor Frankenstein bears striking resemblance to Adam and his fall from grace for eating the fruit from the Tree of Knowledge. The other is Satan, a mythic figure that Shelley admired from her readings in Milton's book Paradise Lost. In an interesting juxtaposition of booth myths, she expands on the motif of the fall from grace in her book when she portrays the monster comparing himself to Adam; after he read, Milton's book Paradise Lost. The monster tells Victor, that he at first identifies with Adam God's first creation. "I was apparently united by no link to any other being in existence." However, after several incidents of mistreatment that he suffered from the humans he encountered in his travels; the monster soon realized that it is not Adam, the perfect being enjoying the world, which he was most alike. Instead, he came to realize that he most represented Satan. The monster's feelings of hatred and despair stem from the fact that humans found him grotesque to look at and would not accept him as a member of human society. The monster cursed Victor for making a creature so hideous that even his creator turned from him in disgust. Thus, it is obvious for all to see that Shelley's Frankenstein is replete with mythological references and they are central to the plot.

This was required reading for a graduate course in the Humanities. Recommended reading for anyone interested in history, psychology, philosophy, and literature.

8 of 8 people found the following review helpful:

5.0 out of 5 stars The Greatest Horror Novel As A Work Of Great Literature, October 27, 2005

By	Rudy Avila "Saint Seiya" (Lennox, Ca United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Mary Shelley's Frankenstein is a classic in the horror genre and to me it far outshines Broker's Dracula and his other novels which can sometimes appear like turn of the century pulp fiction horror. Shelley was a masterful writer who conveyed a powerful theme at the core of Frankenstein. It was the 19th century, the earlier half of the century. Shelley, the infamous poet Lord Byron and another writer were on vacation and living in a castle. They made up a bet. They were to write a work of horror and the writer whose book was the most frightening and intense and most successful was to receive honors by the group. Mary Shelley had a phantasmagorical nightmare which became the plot to Frankenstein. What a way to write a book. Since its publication, it has become an instant classic and attained popularity for years. Hollywood has made various movie versions. Kids still dress up as Frankie for Halloween. Mary Shelley wrote more than a horror piece that was meant to win a bet. Indeed it is intensely scary but its message is strong. In the 19th century it was a cautionary tale. Darwin's theory of evolution was out and man was accomodating themselves into a new, secular world full of inventions and scientific progress. Medicine became more advanced. Industry boomed with railroads, steamships, factories, and later in the 19th century- film, phonographs/record layers, telephones and electric lightbulbs. Shelley was urging people not to lose their faith in God as a creator and that to play God could spell disaster.

Doctor Frankenstein represents the modern man, the atheist, the scientist, the new creator. It rings true today since we are so advanced in our science that we are able to produce new life both bacterial in form and human cloning. Dr. Frankenstein is a naive idealist. Initially, he believes that by creating this man from the cadavers of human beings, he will create the ideal man, free of evil and a figure of hope for mankind. Perhaps Dr. Frankenstein's mistake still applies to scientists today ? Will cloning humans turn out to be a huge disaster ? Will they be more monstrous than human. But it's interesting to note just how human the monster can be beneath his monstrous exterior. He feels human emotions like other people - love, hate, anger. This way, Shelley blurs the line between humanity and monstrosity. We are ourselves monsters because we continue to engage in war, build bigger weapons and believe we are indestructible in our technilogical progress to the extent we sometimes lose our soul. Frankenstein is just that a monster because essentially he is a human missing a soul. Each phrase, each description is poetic, vivid and powerful in is imagery and symbolism. This is the only true literary horror novel that one can make essays and master thesis on. No other work can do this. Perhaps only Anne Rice novels but for the most part, horror novels seem to lack the literary themes that this book contains. If you still haven't read it, and have seen the movies, don't expect it to be the same. This is on a class of its own. But most assuredly the book is better.