Amazon.com Review
Carrie Fisher's
The Best Awful returns
Postcards from the Edge fans to the often hilarious, occasionally tragic, but always captivating world of Suzanne Vale, a bi-polar, celebrity talk show host with a six-year old daughter, a gay ex-husband, an aging starlet mother, and an unbreakable will to survive. After Suzanne stops taking her medication, Fisher treats us to the wild, hysterical ride that follows Suzanne's manic episodes, including a search for Oxycontin in Tijuana with her tattoo artist and a new house guest in the form of Hoyt, a clinically depressed patient Suzanne picks up at her psychopharmacologist's office. Even after the inevitable psychotic break lands Suzanne at Shady Lanes, where she's the "latest loony to hit the bin," Fisher never deviates from her trademark wit and uncanny ability to find truth in every irony:
You entered the hospital broken, found some other like broken patient people, and once in their company, looked down on the other more pathetic inhabitants of the bin you shared, those flying even lower than you and your lo-flung co-conspirators...
An insider's look at the Hollywood most of us only read about in supermarket checkout lines, The Best Awful doesn't strive to be anything other than what it is--a rambunctious, honest, wise-cracking trip to rock bottom and back again. Supporting characters are just that, a backdrop against whom Suzanne hopes to find a plausible sense of self. For readers who can accept this novel for what it is, The Best Awful promises over 250 pages of uninhibited entertainment. --Gisele Toueg
--This text refers to the
Hardcover
edition.
From Publishers Weekly
The inimitable Suzanne Vale returns to battle her demons (drugs, bipolar disorder and Hollywood self-obsession) in actress and screenwriter Fisher's blackly comic sequel to Postcards from the Edge. Leland Franklin, a studio executive whose protectiveness helped Suzanne find her "far-flung best self," dumps her-for a man-when their beloved daughter, Honey, is three, and Suzanne is left "with a child, a grudge, and a bright phosphorous gnaw of pain glowing in the hot spot of her chest." Three years later, Suzanne is still struggling. Though born into show business, then a film star, now a successful talk show hostess (much like her creator), it's Suzanne's love for Honey that keeps her going-oh, and prescription drugs. She has a friend in Craig, a fellow court jester and "DNA jackpot" who pulls her out of tight spots, each "one more in a long line of bad judgment calls." After Suzanne and a tattoo artist named Tony hit Tijuana in a quest for Oxycontin, for example, Craig comes to her rescue. But the trip has "pulled crazy closer to her," and Suzanne experiences a psychotic break that lands her in the Shady Lanes loony bin. Pharmacological facts and scenes from group therapy are revealed with Fischer's trademark irony and nonstop wisecracks. Rather than hide the painful truths of mental disorders, her humor serves to highlight them. Fischer contrives a Hollywood happy ending for Suzanne and Honey, a sweet child who will win readers' hearts, but a little joy amid all the craziness is just what the doctor ordered.
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--This text refers to the
Hardcover
edition.