Most Helpful Customer Reviews
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
Power, corruption, and lies, January 12, 2005
Of all five of Hammett's novels, "The Glass Key" most resembles a "traditional" whodunit with its linear plot, subtle hints, red herrings, false leads, and disclosure of the murderer in the final chapter. It's his only novel with enough clues to allow readers to figure out who did it--although the identity of the killer will still surprise most readers (including this one, to be honest). What distinguishes it from a typical murder mystery, however, is Hammett's fastidious prose, scurrilous characters, noir ambience, and borderline misanthropy.
Ned Beaumont, a self-described "amateur detective" with an independent streak and a gambling habit, is the loyal underling to shadowy political boss Paul Madvig, whose major concern is to see his candidate, Taylor Henry, reelected to the Senate. When the Senator's son is murdered alongside a dimly lit street, Madvig is the chief suspect, the papers (controlled by the opposition) go on the attack, and Beaumont intervenes with an attempt to clear his boss's name. While not above resorting to ethically dubious behavior, Beaumont retains a vein of rectitude under his tough-guy exterior, and he's even willing to undergo the most brutal thrashings at the hands of the criminal opposition out of loyalty to his own superiors--as long as they themselves don't cross the line.
His fourth novel in three years (1929-1931), "The Glass Key" is bleaker and more cynical than its predecessors, and the mood spirals further downward as the story unfolds. (One can almost imagine Hammett's brooding temper darkening with each stiff drink.) While most of his fiction deals with the underworld and its corruption and squalidness, this work shows most effectively the seedy alliances among businessmen, political bosses, elected officials, law enforcement, media figures, and organized crime in Prohibition-era America.
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15 of 16 people found the following review helpful:
5.0 out of 5 stars
The master at the peak of his powers, March 20, 1998
When you've finished reading this novel (and if you care anything about the American detective story, you will read this novel), think back. Can you recall even the slightest hint of emotion, or the smallest display of caring by one individual for another? I don't think so, and this is the essence of hard-boiled detective stories. Don't get me wrong. You know Ned Beaumont cares about those he is trying to help, and gets beat up for. He's much too tough to show it, though, and that's the key. That's why they call it tough-guy fiction. This story is straight-on, airtight, wonderfully written. In one eighteen-month period Hammett wrote The Maltese Falcon and The Glass Key. Amazing. We shall never see his like again. Highly recommended.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Outstanding Piece about Politics, Corruption and Murder, November 23, 2002
I was bowled over by this one. Oddly laconic with some rather awkward turns of phrase (he did it "difficultly"?!!), the writing, nevertheless, is nearly airtight and so sharply laid down that it carries and sets the mood beautifully in this strange tale of a political boss and his gambler buddy who are bent on winning their particular games of life. Paul Madvig, the boss, wants to win the upcoming elections and ensure continuation of his candidates in office while Ned Beaumont, the lone-wolf gambler, wants to get back on a winning streak, collect on a bad debt and protect his apparently dense friend Madvig who has stumbled into a situation. Madvig is in love with a senator's daughter and keen to win her hand and so has allowed his usual good judgement to become clouded. In shifting his political support to the senator, he has lost touch with his own less-than-respectable base, allowing a local gangster to muscle in on his territory. Intent on pushing the gangster back, he makes a dumb play and is soon sucked into a problem surrounding the unsolved murder of the senator's son. Who did it and why are the questions that lie at the core of Madvig's problems and only Beaumont is clever enough, and cares enough, to get to the bottom of it. Along the way Beaumont takes a bloody beating, participates in a murder and loses what he cares most for in all the world. Although the tale takes a while to get revved up and some of the transitions are so abrupt as to be jarring, this was not only a great "detective" story but one with real resonance that goes well beyond the genre in which it has been cast. I recently read Chandler's The Big Sleep and thought very highly of it, giving it five amazon stars. Well, this one's even better.
SWM
author of The King of Vinland's Saga
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